@AVRIL (2025)

Love Me, Love Me Not

Yuna and Akari are two high school girls with very different views on love: Yuna dreams about romance through rose-coloured glasses, while Akari is down-to-earth and practical. Meanwhile, high school boys Kazuomi and Rio also have different views on love: Kazuomi is an airhead who can't grasp the concept of love, while Rio grabs onto any confession as an opportunity—so long as the girl looks cute. Will these four classmates end up leading a youthful romance that meets their expectations?

A Marriage

When Zdenka, a single woman in Czech Republic, started playing online games with strangers, she didn't know it would change her life. Neither did Tabish, a computer scientist a world away in Pakistan.

The Girl Who Leapt Through Time

When 17-year-old Makoto Konno gains the ability to, quite literally, 'leap' backwards through time, she immediately sets about improving her grades and preventing personal mishaps. However, she soon realises that changing the past isn't as simple as it seems, and eventually, will have to rely on her new powers to shape the future of herself and her friends.

Trabantem až na konec světa

The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.

Ensayos y errores

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Beast

Inspired by real events, "Bestia" enters the life of a secret police agent in the military dictatorship in Chile. The relationship with her dog, her body, her fears and frustrations, reveal a macabre fracture in her mind and a country.

Cybersocialism: Project Cybersyn & The CIA Coup in Chile

A documentary on the rise and fall of Project Cybersyn, an attempt at a computer-managed centralized economy undertaken in Chile during the presidency of Salvador Allende.

Postcard (Or, from afar, you are a mirage)

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

Valdivia 1960, El Gran Terremoto

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Estudio de danza

The "cueca" is Chile's national dance. Marveled by this form of dancing, the narrator reflects on the meaning of dance in our lives and how it has been portrayed in the history of cinema.

We Met in Virtual Reality

Filmed entirely inside the world of virtual reality (VR), this immersive and revealing documentary roots itself in several unique communities within VR Chat, a burgeoning virtual reality platform. Through observational scenes captured in real-time, in true documentary style, the film reveals the growing power and intimacy of several relationships formed in the virtual world, many of which began during the COVID-19 lockdown, while so many in the physical world were facing intense isolation.

Chile

This short animation collage uncovers the financial backing of the Chilean Junta bosses by the US. Screened at the 1976 Oberhausen Int. Film Festival.

Interview with Salvador Allende: Power and Reason

An interview with the president of Chile conducted by Roberto Rossellini in 1971, but broadcast only after his death.

The Wolf House

After escaping from a religious colony in Chile, Maria seeks shelter in a mansion where she’s taken in by two pigs, its only inhabitants. Like in a stop-motion dream, the universe of the house reacts to her feelings. The animals slowly morph into humans and the house into a dark, menacing world.

Nostalgia for the Light

In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.

Can't Stop Dreaming

Student Tako is inexorably drawn toward Sao despite class rumors that she has appeared in a porno movie.

Life 2.0

This feature-length documentary follows a group of people whose lives are dramatically transformed by a virtual world -- reshaping relationships, identities, and ultimately the very notion of reality.

The Battle of Chile: Part I

The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.

Canary

Mika Katagiri wants her band to perform at the upcoming local festival. However, complications arise. Their keyboardist, Jun, refuses to play, and their stage has been cancelled. Refusing to give up, Mika and her band strive to find a way to play at the festival, using any means necessary.

Puma!

It is a powerful predator, one of the most elusive animals in Patagonia and rarely filmed. In the very South of Chile the Pumas' hunting grounds lie in the awe-inspiring Torres del Paine National Park, follow a mother Puma as she rears her cubs in the wild, teaching them to survive and thrive.

My Imaginary Country

This documentary explores the protests that exploded onto the streets of Chile’s capital of Santiago in 2019 as the population demanded more democracy and social equality around education, healthcare and job opportunities.

The Cordillera of Dreams

"In Chile, when the sun rises, it had to climb hills, walls and tops before reaching the last stone of the Cordillera. In my country, the Cordillera is everywhere. But for the Chilean citizens, it is an unknown territory. After going North for Nostalgia for the Light and South for The Pearl Button, I now feel ready to shoot this immense spine to explore its mysteries, powerful revelations of Chile’s past and present history." Patricio Guzmán

kid 90

As a teenager in the '90s, Soleil Moon Frye carried a video camera everywhere she went. She documented hundreds of hours of footage and then locked it away for over 20 years.

Words Bubble Up Like Soda Pop

After meeting one day, a shy boy who expresses himself through haiku and a bubbly but self-conscious girl share a brief, magical summer.

Puerto escondido

In 1879, Bolivia lost its access to the sea in a war. When I was a child I did not understand how we had lost it; he thought the Chileans had taken him away in buckets. It is a diary towards interior landscapes, myths, characters and contradictions in a country that relives this loss every day.

City of Photographers

A film about the fearless photographers and photojournalists who documented strikes, demonstrations, protests etc during the Chilean military regime of Augusto Pinochet, sometimes risking their very lives.

Aquí se construye (o Ya no existe el lugar donde nací)

Agüero is able to look at the scene in all it's complexity around architectonical brutality that Santiago de Chile underwent around the year 2000.

Spider-Man: Across the Spider-Verse

After reuniting with Gwen Stacy, Brooklyn’s full-time, friendly neighborhood Spider-Man is catapulted across the Multiverse, where he encounters the Spider Society, a team of Spider-People charged with protecting the Multiverse’s very existence. But when the heroes clash on how to handle a new threat, Miles finds himself pitted against the other Spiders and must set out on his own to save those he loves most.

El Equipo del Pueblo

Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.

Todos tienen algo Desierto

Documentary-essay short film about a inner/outter trip to the flowery desert in the north of Chile. A student film by Gabriel Lizama AKA Liz Taylor.

Viva Brazil

Chile was the venue for the 1962 finals, where holders Brazil were expected to regain their crown. The host, Chile, took them all the way in an epic semi-final, but the classy Brazilians eventually beat Chile 4-2 and went on to beat another surprise package, Czechoslovakia, 3-1 in a one-sided final.

Corporate Accountability

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

The Way I Like It

Agüero interrupts the filming of 5 films that are being made in Chile in 1984, to ask each director the meaning in their work, at a time when making films in Chile was almost prohibited.  

Designation of Origin

The small town of San Carlos suffers an atrocious injustice: the neighboring city of Chillán snatches from them the prize for the "Best Longaniza in Chile". Faced with this blatant theft, a group of people from San Carlos organizes a powerful social movement, which aims to obtain the precious "Denomination of Origin" for their longaniza sausages, and thus repair the damage and recover the dignity of their beloved town.

Arica

A Swedish mining giant, Boliden, is accused of having dumped 20000 tonnes of toxic waste in a poor neighborhood in a Chilean desert town.

Stone Wound

The marks of the violence of the Chilean state, against its own compatriots. Flicker Film. 35mm B & W Still Photography. Silent.

The Skinny Alejandra

A conversation between the director of this film, Carmen Castillo and Marcia Merino, AKA La Flaca Alejandra who was one of the collaborators of Pinochet's secret police (the DINA) after being tortured by them. It was Merino who betrayed Castillo, who lost her new born child after being tortured. Almost twenty years later, Carmen Castillo returns to Chile after her exile to film this documentary, during a time in which Marcia Merino, on the court of justice, decided to give the names of her old bosses who worked with her on the DINA.