An American in Tangier (1993)

My Life Inside

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.

Berlin: Symphony of a Great City

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Une identité dans la diversité

Plot unavailable

From Abdul To Leila

After losing part of her memory in an accident, Leila, a young French woman of Iraqi origin, reconstructs her story by reconnecting with her family and exploring her roots. Through music and cinema, she brings her exiled father's poems to lite, dis-covers the reality of the Middle East, and embarks on a personal quest to understand her identity and find her voice.

Cope 2 Kings Destroy

NYC Graffiti Documentary "Kings Destroy" straight from the boogie down Bronx and right into your living room, with guest appearances by KRS-1, FAT JOE, CASE II, SEEN, and many more...

"An Untitled Film" by George Alshevskij-Jones

“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.

Elsewhere, Everywhere

A computer screen, images from the four corners of the world. We cross borders in one-click while another trip’s story reach us in bits, through text messages, chats, phone conversations, and an immigration office’s questionnaire. It’s the journey of Shahin, a 20-year-old Iranian boy who, fleeing his country alone, lands in Greece, then winds his way to England where he claims asylum.

Khaïma

Plot unavailable

Demeure

Documentary about what makes a house a home.

Carmencita

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

All You See

What if from one day to the next, you’re no longer seen, but instead are stared at? The leading characters in this multi-layered film have ended up in a new world where suddenly nothing seems to align. In their new lives in the Netherlands, they unintentionally provoke reactions on a daily basis. Even after many years, they still hear the same questions over and over again: where are you from, do you speak Dutch, do you tan in the sun?

Valomanden

Plot unavailable

Displaced Perssons

Per Persson left Sweden 40 years ago. In Pakistan he fell in love and became the father of two daughters. Trouble starts when the girls grow up and the family decides to emigrate to Sweden. When they end up living in a caravan outside Hässleholm, all their expectations are dashed.

Morocco from Above

Yann Arthus-Bertrand flew over Morocco with his cameras and asked the journalist Ali Baddou to write and record the comment.

A Life Like Any Other

Over many years, the director’s father filmed his family life almost obsessively. His daughter’s birth, his son’s first steps, and always Valérie, the young mother. An impressive fund of material which their now grown-up daughter Faustine appropriates to tell quite a different story: that of a woman who sees her role as a mother and its demands take away her freedom step by step.

Il mio nome è Battaglia

Plot unavailable

Dark Days

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

Lorena: Light-Footed Woman

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

Furias

Plot unavailable

Immigrants

A fascinating, unsettling study of immigration in 1960s English cities.

All of Me

"Take my love" is a documentary film about "Las Patronas", a group of women who daily cook, pack and throw food to the migrants riding the "Beast" train.

Moa Martinson - Mother of the Country

Documentary about Moa Martinson.

Renaître

Canada as a refuge for LBGTQ+ immigrants: Yazan from Iraq, Nata from Central Africa, Aida from Iran and Eilyn from Colombia all had to flee their homelands, where violence, threats, hate and rejection prevented them from living their lives and expressing their sexual orientation openly. All they wanted was to be free. From Beirut to Montreal, Quebec City or Vancouver, this ensemble documentary follows the journeys of four people who are determined to change their future. From the terrifying realities they had to flee to the heartbreaking sacrifices they were forced to make, Renaître is a vibrant and luminous tribute to their quiet strength.

Raul Brandão was a Great Writer...

This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.

Zora Neale Hurston: Claiming a Space

Raised in the small all-Black Florida town of Eatonville, Zora Neale Hurston studied at Howard University before arriving in New York in 1925. She would soon become a key figure of the Harlem Renaissance, best remembered for her novel, Their Eyes Were Watching God. But even as she gained renown in the Harlem literary circles, Hurston was also discovering anthropology at Barnard College with the renowned Franz Boas. She would make several trips to the American South and the Caribbean, documenting the lives of rural Black people and collecting their stories. She studied her own people, an unusual practice at the time, and during her lifetime became known as the foremost authority on Black folklore.

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

Don't Call It "Ghost Town"

Two unique perspectives on the city of Liverpool come from interviews with the director's parents.