SOAR (2024)

Larisa

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

Daybreak Express

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

A Fan's Guide to Ms. Marvel

A documentary short that gives you an exclusive look behind the groundbreaking original series, "Ms. Marvel", from its comic book origins to its development and production as Marvel Studios’ next hit series on Disney+. It features interviews with its award winning filmmaking team and the show’s captivating star, newcomer Iman Vellani.

Hannas baby

Plot unavailable

Like a Spiral

Like a Spiral is a dialogue between Beirut and five women, migrant domestic workers, under the Kafala system. Expressing their belonging to a society in collapse, the women's voices rise through the film's grainy images to denounce their stolen freedom with an inalienable thirst for existence. Their memories dance in the rhythm of oppression. Caught within life's spiral, they lift themselves up to not sink into oblivion.

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

My Heart Belongs to Daddy

"My heart belongs to daddy / Majn harts gehert tsum tatn" - the same old love song. But now it is actress Basia Frydman who sings it in Yiddish accompanied by her musicians at home in Kjell Westling's living room. And Tate, that's Basia's lovely old dad Simon, doing his work in a hairdressing salon.

Land Without Bread

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Min hemliga bror

It was a family secret, hidden for decades - until now. With the help of commercial DNA bases, SVT's US correspondent Carina Bergfeldt sets out in search of her secret half-brother, who according to a rumour exists. The hunt came to affect her whole life.

Amazon

Explore the mysterious Amazon through the amazing IMAX experience. Amazon celebrates the beauty, vitality and wonder of the rapidly disappearing rain forest.

Cosmic Voyage

The Academy Award® nominee Cosmic Voyage combines live action with state-of-the-art computer-generated imagery to pinpoint where humans fit in our ever-expanding universe. Highlighting this journey is a "cosmic zoom" based on the powers of 10, extending from the Earth to the largest observable structures in the universe, and then back to the subnuclear realm.

The Long Shadow of Dirty Harry

An in-depth look at Dirty Harry (1971), featuring interviews with such film artists as Michael Madsen, 'Hal Holbrook', John Milius, 'Shane Black' and John Badham.

Blindsight

Six blind Tibetan teenagers climb the Lhakpa-Ri peak of Mount Everest, led by seven-summit blind mountain-climber Erik Weihenmayer.

À corps perdus

Plot unavailable

Affirmations

A look at what it's like to be gay and black in America.

Hakob Hovnatanyan

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.

Bach and the Gap Year Program

This documentary follows a group of filmmakers on a journey to capture the unique experiences of the Enlightenment Academy's gap year program in Sudbury, Ontario. The project was initiated by Bach Van Dyke, a self-proclaimed world-famous actor, director, producer, and model, who enlisted the help of a small team to bring his vision to life. Despite Van Dyke's larger-than-life persona, the documentary offers a more grounded perspective on the program and its participants. Viewers can expect to encounter a colorful cast of characters, including Dr. Raymond Cism, a social media-savvy health doctor, and the program's students, Sheen, Jake, and Butch.

Bad Boy of Bonsai

Bad Boy of Bonsai is an experimental art-house documentary that focuses on Guy Guidry, a Louisiana local, and his passion for bonsai.

Le Regard Tairraz

For a century and a half, mountain images by their beauty have largely gained from its influence, its frequentation and its development. But they are also a tool in the service of science, fixing the transformation of landscapes, habitats... Over 150 years, the Tairraz dynasty photographed the mountain. Four generations of photographers have magnified the Mont-Blanc massif. From the first photograph taken at the summit of Mont-Blanc in 1861 to the present day, this art is at the origin of many mountaineering vocations and has largely contributed to the tourist development of these formerly ignored valleys. Here is the wonderful story of a dynasty of photographers, the Tairraz, which stretches from 1861 to the dawn of the 2000s.