The film depicts Bruno's encounter with an old flame at the Recife airport. He then recalls the moments spent with Alice during a carnival, and his feelings start to resurface. But could that passion have been just a creation of his mind?
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The film depicts Bruno's encounter with an old flame at the Recife airport. He then recalls the moments spent with Alice during a carnival, and his feelings start to resurface. But could that passion have been just a creation of his mind?
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Black Orpheus
Young lovers Orfeu and Eurydice run through the favelas of Rio during Carnaval, on the lam from a hitman dressed like Death and Orfeu's vengeful fiancée Mira and passing between moments of fantasy and stark reality. This impressionistic retelling of the Greek legend of Orpheus and Eurydice introduced bossa nova to the world with its soundtrack by young Brazilian composers Luiz Bonfá and Antonio Carlos Jobim.
In order to study fashion in so-desired Paris, a young country girl who hates Carnival travels to Rio de Janeiro to try to get support from the most famous designer in Brazil. Set on sneaking into the sewing team of one of the biggest samba schools, she will discover that Carnival only lasts for a week, but a love story can change her entire life.
Juana, a young woman in her twenties sets out on a backpacking trip to the northwest of Argentina. Her aim is to find some places and people that appear in a series of photographs that she carries with her. As the adventure goes by, Juana finds out that the deepest meaning of the trip was but the simple fact that she has travelled through the experience itself.
No measure of hellfire preaching can quell the boisterous and bawdy passions of Maracatu, an Afro-Brazilian burlesque carnival tradition with roots in slavery that takes place in the northeast state of Pernambuco. As the Falstaffian character Tiao, Valmir do Coco leads a nonprofessional cast of authentic Maracatu practitioners in a tale told through dance, music, and the supernatural, set in the sugarcane fields outside Recife.
During Carnival in São Paulo, a young man and young woman who knew each other as children meet again after many years and the social barriers that have kept them apart. Bad decisions lead the boy to hide with the girl inside a whale float.
Three couples meet in the middle of Carnival, trying to get together in the midst of various conflicts that have the biggest party in Brazil as a scenario - and often as a cause.
At the end of the 1940s, Lebanon is sliding towards a devastating conflict. Catholic siblings Emilie and Emir decide to leave for Brazil. Aboard the ship to their new home, Emilie falls in love with Omar, a Muslim merchant. For an enraged and jealous Emir, the relationship is intolerable. As the story unfolds against the backdrop of the majestic rainforest, Emir’s actions and the choice that Emilie subsequently makes lead to disastrous consequences.
Digital influencer Nina finds out about her boyfriend's betrayal and ends the relationship. So, she decides to travel with her friends to Salvador and enjoy the city's Carnival. During this period, they gain more followers and learn the true meaning of friendship.
In the traditional carnival of the small town called Las Tablas, there are two rival streets: Up Street and Down Street. A young couple, after an unexpected encounter at the airport, fall hopelessly in love.
"É o Boi" is a documentary that narrates the origins, portrays the present and discusses the perspectives of carnival in the city of Porto Ferreira/SP. Celebrating a tradition that already is already 90 years old, the film is mainly made up of images taken during the Porto Ferreira's carnival and interviews with people who fight daily to keep this unique and at the same time typically Brazilian cultural manifestation alive. Made over almost a decade, "É o Boi" also portrays critical moments of this carnival in the countryside of São Paulo, including disagreements with public authorities that almost led to the carnival being banned and the impacts of the Covid-19 pandemic on the organization of celebrations.
Each person is a Carnival and Marina knows which one she is. On the slopes of Olinda she seeks the ecstasy of carnival revelry, the music, the shouting, the heat, the joy, the love. Her journey is seen through the eyes of ten different characters, and for each of them a director lends their artistic view. But in the midst of so many people, marching bands, encounters and misencounters, how can we find Carnival?