As Curvas da Estrada (2024)

Knot

Glória manages to get a divorce and moves away, taking her daughters and the desire to start over. As she tries to turn the new house into a home and her body into a place of belonging, she faces, on the factory floor, a delicate competition for a supervisor position between colleagues and her best friend. Courage takes shape as anguish seeps into the flesh.

Day of the Idiots

A woman experiences psychic disintegration and ends up in a psychiatric hospital.

Pacific Mother

Pacific Mother journeys from Japan, to Hawaii, Tahiti, Rarotonga and Aotearoa to share interwoven stories of formidable women who live at one with the Pacific Ocean – freediving, spearfishing and paddling waka through its depths and playing with their children in its shallows – a stark contrast to fast-paced lifestyles of larger towns or cities. These women are all mothers who experienced diverse births in hospital, at home and by the sea, with and without medical assistance. Fukumoto also meets Māori and Japanese midwives who share indigenous traditions and rituals around birth that have been lost over recent generations, and are now gradually being reclaimed. Their stories demonstrate just how disconnected the global default maternity system is from the instinctive and cultural needs of mothers and families. They inspire a call to action on birthing rights, as well as a call for parents’ reconnection with their role as nurturers and protectors of their natural environment.

Les filles c’est pas pareil

In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.

Barlebas

An experimental musical period drama about the witchhunts in 1595 in the south of the Netherlands. The film depicts the last days of the life of the young woman Heylken.

Kenopsia

A woman who focused on being a mother feels that she no longer has any purpose now that her son has made his own life, until one lonely night after a storm, she finds a nest on the ground of her garden with a small egg that gives signs of life, and when she rescues him she puts aside her monotony to take care of him as if she were his mother.

Welcome Home Freckles

After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.

Bird

Gathered in a shelter in an Ecuadorian forest, adolescent victims of sex trafficking take their tentative first steps in their newly recovered lives.

Our Body

In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.

The Paradise Road

Having just gotten married to the woman of her dreams, Ellie takes Shae on a romantic excursion to the west coast seaside for a moment of happiness and seclusion before inevitably coming to terms with a life-altering decision.

L’Ultimatum

In a small apartment, a couple spends a tense evening. Arguments are frequent, but that evening, the situation reaches a climax. During a violent altercation, Sophie, exasperated, speaks to express everything that goes through her head to her boyfriend Marc. Her monologue marks a turning point in their relationship and in her daily struggle as a woman.

Beautiful!

The story of six extraordinary heroines at different stages of life, each striving in her own way for happiness and fulfillment, seeking to live in harmony with herself.

Backlash: Misogyny in the Digital Age

This documentary by Léa Clermont-Dion and Guylaine Maroist plunges us into the vortex of online misogyny and documents hatred towards women. This bleak opus, reminiscent of a psychological thriller, follows four women across two continents: former President of the Italian parliament Laura Boldrini, former Democratic representative Kiah Morris, French actor and YouTuber Marion Séclin, and Donna Zuckerberg, a specialist in online violence against women and the sister of Facebook’s founder. This tour de force reveals the devastating effects such unapologetic hatred has on victims, and brings to light the singular objective of cyber-misogyny: to silence women who shine. Some targets of cyber-violence will crumble under the crystallizing force of the click. Others, proud warriors, will stand tall and refuse to be silenced.

Pauline Julien, Intimate and Political

With a meticulous selection of interviews, performances and photos drawn from a vast and rich archival collection, Pauline Julien, Intimate and Political follows the iconic Quebec singer and eternally free spirit on a journey through key moments in the province’s history.

Jeff

A phone sex operator loses her grip on reality, caught in a hypnotic relationship with a caller making disturbing confessions.

Norn

A young girl is approaching the end of a cycle, when she gets a visit from a goddess named Norn. Unaware of Norn's intentions, the girl is very excited to create a deep and intimate friendship with her. Until Norn tells her the truth.

NINA G: STUTTERER INTERRUPTED

This one-of-a-kind comedy special showcases the comedian's riotous stand-up performance, exploring everything from the Disability experience to her Italian-Catholic upbringing to body image issues and more.

Divas

Plot unavailable

Jingga And Colors That Refuse To Fade

In the living room, RAMA (33), is painting the bottom of the wall which is full of TARA (6) crayon scribbles which resemble the shape of a ship with simple lines. JINGGA (30) is ironing her school uniform and feeding Tara who is busy drawing a boat in a drawing book. Rama looked tired, he suggested that JIngga stop painting so that Tara wouldn't get involved in scribbling. Hearing that, Jingga promised to take care of Tara so she wouldn't do it again. Rama said he was tired when he came home from work and found the house dirty. If JIngga can't get Tara to comply, then JIngga won't be allowed to paint anymore.

Nose and Tina

The unusual story of Nose and Tina, 2 people in love. He is employed as a brakeman, she as a sex worker.

Fire in the Heart

In Aix-en-Provence, feminist slogans dot the walls of the city. This is the work of "Les colleuses". Their goal: to claim their place in the public space, and to denounce patriarchal violences. For a month, we follow young Ameline and her friends. They tell us about their process, the reasons for their commitment, their doubts and their hopes.

Lessons on the Improper Use of Objects

Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.

The Gypsy Camp Vanishes Into the Blue

This colourful, music-filled and sensual melodrama based on early stories by Maxim Gorky tells the fatal love story between the beautiful and rebellious girl Rada and the handsome horse thief Zobar. The story is set in early 20th century Bessarabia, now part of Moldova, then belonging to the Austro-Hungarian Empire.

We, Women

Silvia is a woman enclosed in the narrowness of patriarchal canons. She´s just 55, but she thinks that her life lacks of value. However, she will discover soon that she´s wrong

Low Stress Day

Madi is a junior doctor who desperately needs a break. Her partner, Dana, takes her on a getaway with her friend group. Will Madi finally get the Low Stress Day she desires?

The Wings of the Dove

A 20th-century prostitute (Dominique Sanda) arranges for her lover (Michele Placido) to wed a wealthy, dying millionairess (Isabelle Huppert) in Venice.

Behind Closed Doors

Samira is an attractive, young Moroccan woman who is happily married to a banker. Their lives are turned upside down with the appointment of a new director in the company where Samira works who begins to harass her. This is where she finds herself at a dead end she decides to proceed in another direction and puts into action an ingenious plan to obtain the proof she needs.

Behind the Looking Glass

Behind The Looking Glass is a film about the lives of women whose partners have or want to ‘transition’. While we hear a great deal of “stunning and brave” stories of men, there is a deadly silence when it comes to the stories of the wives or partners. This film will be the first of its kind in collecting such experiences of women from around the world.

Keeper

A woman takes time in private on a tiny island in Helsinki to contemplate a loss that has caused sudden changes in her life. This tragedy has challenged her to see the world in a different light. A light that is driven by a force of nature.

Never Look Away

CNN camerawoman Margaret Moth fearlessly captures footage of war zones. After receiving catastrophic injuries in the crosshairs of battle, she returns to work with more courage than ever. An intimate portrait of a trailblazing female photojournalist. Features interviews with Moth’s family and friends, including CNN’s Christiane Amanpour. A Sundance film festival premiere directed by Lucy Lawless.

Loto-Méno

Véro compares perimenopause to the lottery: you can experience 3, 10 or 30 symptoms. In her case, she won the lottery. The first signs came early in her life. So she didn't make the connection between the mood swings, water retention, dry skin, hair loss - and menopause. Before finding comfort, she wandered for years. Loto-Méno is her story, her quest, told with courage and frankness.

Voices of Muslim Women from the US South

When one thinks of the American Deep South, the image of veiled Muslim students strolling the University of Alabama campus is the last thing that comes to mind. VOICES OF MUSLIM WOMEN FROM THE US SOUTH is a documentary that explores the Muslim culture through the lens of five University of Alabama Muslim students. The film tackles how Muslim women carve a space for self-expression in the Deep South and how they negotiate their identities in a predominantly Christian society that often has unflattering views about Islam and Muslims. Through interviews with students and faculty at Alabama, this film examines representations and issues of agency by asking: How do Muslim female students carve a space in a culture that thinks of Muslims as terrorists and Muslim women as backward?