Citizen Xenos (2018)

War Dance

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

No Address

This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.

The Great Wall

‘The Great Wall has been completed at its most southerly point.’ So begins Kafka’s short story ‘At the Building of the Great Wall of China’, and so, at Europe’s heavily militarised south-eastern frontier, begins this film. In the shadow of its own narratives of freedom, Europe has been quietly building its own great wall. Like its famous Chinese precursor, this wall has been piecemeal in construction, diverse in form and dubious in utility. Gradually cohering across the continent, this system of enclosure and exclusion is urged upon a populace seemingly willing to accept its necessity and to contribute to its building.

El apagón: Aquí vive gente

“El Apagón: Aquí Vive Gente” is a documentary directed by Bad Bunny and Blanca Graulau. This 23-minute film explores the socio-economic challenges in Puerto Rico, focusing on the effects of power outages and gentrification driven by the real estate and energy sectors. Through visuals and personal stories, the documentary highlights the experiences of Puerto Rican communities facing these issues.

Tell Them We Were Here

Tell Them We Were Here is an inspirational feature-length documentary about eight artists who show us why art is vital to a healthy society and reminds us that we are stronger together.

When Glaciers Go

A diminishing water supply is driving people from their land in a remote region of Nepal. The younger generation of the Gurung family adapts by commuting from their ancestral home, where subsistence depends on grazing goats and cows, to a village that has a commercial apple orchard, fed by irrigation. “We cannot give up cultivating our fields,” a elderly man explains. “The apple farm is not going to be able to feed us easily.” The older generation believes that water shortages stem from road building and bulldozing, upsetting the natural order, a young man explains. Both generations fly prayer flags, beseeching water.

Kabzaa

Amidst the urban transformation driven by progress, bulldozers dismantle 'illegal' settlements, leaving countless lives shattered. In the aftermath of such upheaval, one basti, sacrificed to conceal poverty during the G20 summit, and another basti, abandoned by authorities without alternative housing, illustrate the stark realities of displacement. The film delves into the daily struggles of individuals who persist in the rubble of their former homes.

Lost, Lost, Lost

Jonas Mekas adjusts to a life in exile in New York in his autobiographical film, shot between 1949 and 1963.

The Boy of The Fish

"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.

La Buena Vida - The Good Life

The village of Tamaquito lies deep in the forests of Colombia. Here, nature provides the people with everything they need. But the Wayúu community's way of life is being destroyed by the vast and rapidly growing El Cerrejón coal mine. Determined to save his community from forced resettlement, the leader Jairo Fuentes negotiates with the mine's operators, which soon becomes a fight to survive.

Martha of the North

In the mid-1950s, lured by false promises of a better life, Inuit families were displaced by the Canadian government and left to their own devices in the Far North. In this icy desert realm, Martha Flaherty and her family lived through one of Canadian history’s most sombre and little-known episodes.

Serenity

Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.

Blight

Amidst a global exodus from earth, two brothers must confront their differences about leaving their home forever.

Haus

A displaced black queer boy finds refuge in his city's underground Kiki Ballroom scene.

Kaathal - The Core

Mathew Devassy, a retired bank manager decides to enter local panchayat elections. Unexpectedly, his wife Omana, shocks everyone by filing for divorce, claiming that Mathew is gay.

Medea

After escaping from her homeland and now abandoned by the man she loves, Medea must find strength from within to fight against growing injustice - how far is she willing to go?

A Touch of Sin

Four independent stories set in modern China about random acts of violence.

Ramona

Ramona, residing on her wealthy Spanish adoptive mother's rancho in California, falls in love with the Indian Alessandro. When Ramona is denied permission to marry Alessandro, the lovers elope, only to find a life of great hardship and unhappiness amidst the greed and injustice of the white landowners.

Fale Comigo Verão: O diário de um cineasta amador

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

Der Echte Freddie Mercury - Die Münchner Jahre

Plot unavailable

RiP!: A Remix Manifesto

RiP!: A Remix Manifesto is a 2008 open source documentary film about the "the changing concept of copyright" directed by Brett Gaylor.

Every Little Step

Follows the plight of real-life dancers as they struggle through auditions for the Broadway revival of A Chorus Line and also investigates the history of the show and the creative minds behind the original and current incarnations.

Playground

In their 58th feature film, Playground (narrated by Olympic gold medalist Jonny Moseley), Warren Miller Entertainment captures the latest in extraordinary winter sports action in stunning High-Definition with a killer soundtrack to match. From an indoor ski park in Dubai and the mystical elevations of the Japanese mountains to the frigid norther reaches of Sweden, this film follows the planet's leading skiers of the freeride movement - Jon Olsson, Sean Petit, Dan Treadway, Peter Olenick, and others - to exhilarating destinations where anything is possible.

Jisoe

A year in the life of troubled Australian graffiti artist Justin Hughes.

Darfur Now

This acclaimed documentary follows the story of six people who are determined to end the sufferings in Sudan's war-ravaged Darfur. The six - an American activist, an international prosecutor, a Sudanese rebel, a sheikh, a leader of the World Food Program and an internationally known actor - demonstrate the power of how one individual can create extraordinary changes.

PyeongChang 2018 Olympic Opening Ceremony: Peace in Motion

Plot unavailable

On the President's Orders

The searing story of President Duterte's bloody campaign against drug dealers and addicts in the Philippines, told with unprecedented and intimate access to both sides of the war - the Manila police, and an ordinary family from the slum. Shot in the style of a thriller, this observational film combines the look and feel of a narrative feature film with a real life revelatory journalistic investigation into a campaign of killings. The film uncovers a murky world where crime, drugs and politics meet in a deathly embrace - and reveal that although the police have been publicly ordered to stop extra-judicial killings, the deaths continue.

The Dark Side of Everest

May 25, 1996 - Bruce Herrod, a South African mountaineer reached the summit of Everest at 5 p.m. On the radio, we urge him to come down as soon as possible because the descent is dangerous in the middle of the night. A few hours later, no news from him. From this South African expedition which turned into a fiasco and another expedition carried out in parallel, the testimonies of the members of these expeditions show to what extent the thirst for climbing to the top of certain mountaineers, combined with the lack of oxygen , can alter the lucidity of climbers to the point of changing their relationship to death and thus lead them to neglect other expedition members in order to ensure their victory or save their own life.

Niall Horan: Live With The Rte Concert Orchestra

Show of solo singer Niall Horan from his latest album: Flicker. Recorded at Studio 1 in Dublin, this intimate and sensitive performance shows a side of Niall barely seen and explored, all with the participation of the incredible orchestra.

The Case You

Just how far is it acceptable to push actors in the name of cinema? And at what point do you cross the boundary where acting becomes sexual assault? These are the questions raised by the testimony of six young women who were manipulated and sexually abused during an audition.

Lembri Uudu

Until the restoration of independence of Estonia in 1991, a collective farm operated in the village of Pähkla in Saaremaa, which employed almost all the villagers. Lembri Uudu also worked there as a tractor driver. After the collapse of the collective farm, most of the villagers lost their jobs and Uudu died. Sometimes, however, it happens that a person's real life force comes out only after his death.

Ol' Dirty Bastard: A Tale of Two Dirtys

The untold story of the man and the musician who made an immense cultural impact across just a few short years. Having gained exclusive rights to a never-before-seen personal archive shot by his wife alongside access to his closest friends and family, the doc is described by the filmmakers as a culture-defining special that humanizes ODB as a man, a father and a husband like never before. It explores how Russell Tyrone Jones created Ol' Dirty Bastard, a Hip Hop alter ego superhero that would ultimately consume him.

Meanwhile in Lucavsala

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2 + 2 = 22 [The Alphabet]

Worn-down pavements, broken paving stones. Trees that jut out of the concrete, casting shadows on to crumbling façades. The centre of Tbilisi in the summer of 2013. Glimpses of side and main streets, over railings and under balconies, of an architectural cacophony. The voiceover spoken by Natja Brunckhorst reflects on the nature of streets and public spaces.

House in the Fields

In a village in the High Atlas Mountains, at the crossroad between tradition and change, two sisters experience the last seasons of childhood.

For Ahkeem

After a school fight lands 17-year old Daje Shelton in a court-supervised alternative high school, she's determined to turn things around and make a better future for herself in her rough St. Louis neighborhood. But focusing on school is tough as she loses multiple friends to gun violence, falls in love for the first time, and becomes pregnant with a boy, Ahkeem, just as Ferguson erupts a few miles down the road. Through Daje's intimate coming-of-age story, For Ahkeem illuminates challenges that many Black teenagers face in America today, and witnesses the strength, resilience, and determination it takes to survive.

El Mar La Mar

An immersive and enthralling journey through the Sonoran Desert on the U.S.-Mexico border, El Mar La Mar weaves together harrowing oral histories from the area with hand-processed 16mm images of flora, fauna and items left behind by travelers. Subjects speak of intense, mythic experiences in the desert: A man tells of a fifteen-foot-tall monster said to haunt the region, while a border patrolman spins a similarly bizarre tale of man versus beast. A sonically rich soundtrack adds to the eerie atmosphere as the call of birds and other nocturnal noises invisibly populate the austere landscape. Emerging from the ethos of Harvard's Sensory Ethnography Lab, J.P. Sniadecki's attentive documentary approach mixes perfectly with Joshua Bonnetta's meditations on the materiality of film. Together, they've created an experience of the border region like nothing you've seen, heard or felt before.

Casa Roshell

You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.

Streetscapes [Dialogue]

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

The Sea Stares at Us from Afar

Huelva, Spain, an isolated region lost in time. The grass, the sand and the sky are the same that those foreigners saw in the spring of 1895, when they crossed the sea from a distant country to mark the unspoiled terrain and extract its wealth, when the tower was new, when people could climb to the top of the highest dune and imagine that the city of Tartessos was still there, in the distance, almost invisible in the morning brume.

The Prize of the Pole

Three men and their life-long attempts to reconcile the opposing cultural ties within them. The story unfolds in the tension between Robert E. Peary, the American who spent 23 years among the polar Eskimos in order to conquer the North Pole, and Minik, the sole survivor out of six Eskimos, who were put on the New York exhibition in 1897 by Peary. In the film's contemporary scenes, the young polar Eskimo Robert E. Peary II, a great-grandchild of the Arctic explorer, goes on an expedition into his ancestors' past, which takes him from Greenland to America. It changes Robert's view on himself and his family history forever.

Spell Reel

The first image is in black and white, upside down and projected into a black box that then becomes the frame. It now hovers like a time capsule near a man’s face. He looks down, listening in on a female guerrilla fighter and translating her words from Fulani. Within the capsule, money is counted and paid out as a new currency, the numbers of the years run backwards in the black box. A 16-mm film glides through the man's hands and is transferred to a laptop screen frame by frame.

Colonization Road

In towns throughout Ontario, there are startling reminders of the colonization of Indigenous territories and the displacement of First Nations people. Anishinaabe comedian and activist Ryan McMahon takes us to his hometown of Fort Frances and down its main drag, which is called Colonization Road. Similar streets have similar names in towns and cities across the province, direct reminders of the Public Lands Act of 1853 and its severe impact on First Nations, their treaties and their land in the name of “Canadian settlement.” On his journey through Ontario, McMahon explores the history of these roads, meets with settlers in solidarity and raises significant questions about “reconciliation” and what it means to “decolonize.”

Inmates

In a confined section of a psychiatric ward in Northeast China, patients of schizophrenia, mania, depression, compulsive sexual behaviour and alcohol addition receive the mandatory treatment. As soon as their heads are cleared, they try to break free but always fail. Under the control of drugs and unquestionable discipline, they begin to reflect on their souls, will, desire and thoughts.

Rustlers

Albertina Carri wants to make a film about Isidro Velázquez, an almost mythical outlaw figure from northern Argentina who was shot dead by police in 1967. She’s not the only one interested in him: her sociologist father Roberto Carri wrote a book on him called “Pre-Revolutionary Forms of Violence” and a film was made about his story, although both father and film disappeared during the Dirty War. Legends, families, political alignments, cinema: none offer a stable foothold and Carri’s passage through them is like wandering a garden of forking paths, only to arrive at a landscape of cracked earth and thorns.

Mama Colonel

Colonel Honorine Munyole is a robust forty-four-year-old widow and mother of seven young children – four of her own, three adopted. She wields her uniform, beret and black handbag like a protective shield, which her daily work desperately requires. More or less on her own, she runs a small police unit dedicated to protecting women who’ve been raped and children who’ve suffered abuse in the war-plagued regions of the Congo. At the start of Maman Colonelle, she’s transferred from Bukavu to Kisangani, arriving only to discover her future home and office in a desolate state. While she deals with such practical obstacles with suitable feistiness, the traumas and social deformities of the people around her have nightmarish dimensions: the envy surrounding those with state-recognised ‘victim’ status, hope for help from the ‘whites’, depression, helplessness.