The Daughters of Daedalus (2024)

Land Without Bread

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Almantal Yu’un Lekilal

Twenty-two years after the massacre perpetrated by paramilitary groups in complicity with the government, the people of Acteal celebrate their martyrs and persist in their demand for justice.

Refugee Poetry

The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

America; I Too

Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.

Momentum

In Finland, a small child is waiting for his time to begin. His heart is broken. A major heart surgery is expected. There is a fight against time. The boys parents are wandering in the corridors of the hospital. The heart is stopped during the surgery operation. Le Locle, a village in Switzerland acts as the heart of watch industry. Narrow streets of the village carry vital parts to watches and nowdays also into human bodies, for example pacemakers. Village is formed as a big factory line and appears as a time-twisting machine. There pieces are refined and workers hands turns the time on and off.

Eastward

Shortly after German reunification, three residents of a quiet area north of Berlin talk about their plans and attempts at new economic beginnings amid the changes brought by the fall of the Berlin Wall.

My age, yours, and the age of the world

After the earthquake, my grandmother is facing the loss of her apartment.

Norman Norman

A young woman grapples with the declining health of her beloved dog in this film about mortality, cloning, and Barbra Streisand.

Deep Sky

This inspiring documentary explores the $10 billion JWST's engineering and construction process, historic Dec. 25, 2021 launch, and the release of its first full-color, galaxy-sprinkled images on July 12, 2022 witnessed by the entire planet.

Pradera

Plot unavailable

C-Film

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

Bronx, New York, November 2019

Plot unavailable

Cal State Long Beach, CA, January 2020

A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.

Hell

Chennu committed his first crime when he was 15 years old: being a street kid. And he entered hell: Pademba Road. The adult prison in Freetown. In hell, Mr. Sillah is in charge, and there is no hope. Chennu got out after four years. Now he wants to go back.

Islands of Fire

The first light of dawn. The sound of a boat and the screech of birds fill the wide expanse of sea. Black rocks emerge from the water, the “sciara” – the volcanic scoria – of Stromboli, the underwater sulfurous emanations, the layers of reddish rock eroded by the sea. The roar of the volcano can be heard, the flames and the liquid lava are thrown skyward. As nature unleashes itself, the fishermen row toward the shore, the sheep stray and the women return home.

Snow Puppy

A short film about a white shepherd puppy playing in the snow. Filmed and released in the early months of 2018.

Take 3

A Palestinian refugee visiting his ruined village is documented in an Israeli film. Amazingly, out of pure coincidence the same person is filmed again returning to his village in a different film, thirty years later. Will it be possible to film the return scene for the third time?

Sidelined

In 1978, several NFL cheerleaders posed in Playboy magazine, having received approval from team management. But when the issue hit newsstands, it unleashed a wave of repercussions for the women themselves—and their team.

Food

This is an animated documentary about FOOD! I interviewed vegetarian, vegan, pescetarian and meat eater about their opinions about food and life choices. Then I animate real food with stop-motion technique based on the interviews. By putting the conversations in different context, the food speak for themselves.

Portrait of David Hockney

Filmed at the time Hockney was painting Mr and Mrs Clark and Percy, Portrait of David Hockney is made up of a limited number of shots, observing the periphery details of his flat and studio. Each view is held so as to focus on its particular qualities and composition and, with the accompanying soundtrack of off-screen phone calls, conversations and musings, builds up a picture of Hockney’s daily life.

Devir

Plot unavailable

Espetáculo

Plot unavailable

Pajarito

Manuel Andrade, after designing the Pumas logo, was forgotten in the history of the club. Today in the midst of poverty and his health problems, he decides to question the meaning of life.

Noventa y dos lágrimas

Maru is experiencing a strong grieving process. The image of her, which she had built over the years, of laughter and good times, now turns to tears. Luci, her cousin and her best friend, serves as her listener and advisor, she has always been like that.

El kilómetro más difícil

Life on the road is unique and transforms the people who travel it daily.

En la boca del Bajío

Nolo, a young skater, shows us how skateboarding survives and develops in Celaya, Guanajuato, one of the most dangerous cities in the world.

El Niño del Volcán

Joel, an 11-year-old boy, will guide us through the forest of the Popocatépetl volcano and with his childlike wisdom leaves us lessons on a natural life.

Like a Spiral

Like a Spiral is a dialogue between Beirut and five women, migrant domestic workers, under the Kafala system. Expressing their belonging to a society in collapse, the women's voices rise through the film's grainy images to denounce their stolen freedom with an inalienable thirst for existence. Their memories dance in the rhythm of oppression. Caught within life's spiral, they lift themselves up to not sink into oblivion.