PRESENCE (2023)

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Bad Boys

The Detroit Pistons of the late 1980s and early '90s seemed willing to do anything to win. That characteristic made them loved — and hated. It earned them the title: Bad Boys.

Have We Met Before?

Short docudrama exploring the history of sex in the homosexual community from the 1970s to the present day, and how the internet has changed the way gay men meet forever.

Beyond Oil

Documentary on industrial lubrification.

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Lockedout

A short documentary about a homeless couple who face the ban on being on the street during 2020 quarantine. Just through their eyes, the two protagonists show us a different Milan, silent and suspended.

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Minuta ticha

Plot unavailable

S'altra banda

What's on the other side of Fornells bay? Pepe el Malo is an urban legend or he really existed? This documentary doesn't try to shed light on the dark; it rather plays deftly with the ambiguities of a character that is part of the Menorcan imaginary.

Bra Boys

A film about the cultural evolution of the Sydney beach side suburb of Maroubra and the social struggle faced by it's youth - the notorious surf gang known as the Bra Boys.

Flora

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

Lesser Choices

The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.

Two/2

Music scores are atomized and recompiled into instructions for visual edits and cues. Ties are uncovered between sight and sound.

In the Ocean, on Land

Panasonic PV-GS83 in a plastic bag thrown in the ocean.

A Staircase

Single frames vectorized and stitched before processing through an analog EAB.

Water Theater

White Rock Lake Water Theater in Dallas, Texas. Sculpture by Frances Bagley and Tom Orr. Video compiled from 35mm stills.

XYZ

Oil spills around Oak Cliff, Dallas.

The Sun

Compiled and animated from still images.

Fire in Paradise

In this documentary, survivors recall the catastrophic 2018 Camp Fire, which razed the town of Paradise and became California’s deadliest wildfire.

Fantasea

This true classic from 1980 features the incredible surfing performances of Australia's Simon Anderson, Chris Byrne, Terry Fitzgerald, Wayne Lynch, Mark Warren, Col Smith and Mark Richards. Plus heavyweight Hawaii talent Dane Kealoha, Bobby Owens, Larry Bertlemann, Mark Liddell, Mark Foo, Buzzy Kerbox, Rory Russell, Reno Abellira and South Africa's Shaun Tomson. Fantasea opens with a powerful animated sequence that dissolves into one of Greenough's tube shots filmed from a camera mounted on his back and sets the mood for a full-on surfing epic covering Australia, South Africa and Hawaii.

Follow the Sun

Travel to remote beaches of war-torn Central America (see never-before -photographed waves of Roco Bruja). Catch the waves of Puerto Rico, the North Shore, Outer Hawaiian Islands, California and the warm waters of the Caribbean.

Until Further Notice

With his industry on lockdown and no end in sight, Toronto chef Luke Donato tries to keep his culinary passion alive during the COVID-19 pandemic - even if it means teaching a group of misfits online.

JENNY@7-11

In a convenience store, the door of the storage room is a two-way mirror, reflecting a romantic story of love at first sight.

Gravity

An electric compilation of footage cut to an explosive soundtrack, Gravity is a high action surf film from John John Florence that highlights the historic 2021/2022 winter on the North Shore of O'ahu.

O Zé Analfabeto e o Trânsito

Plot unavailable

Tribu

Ruben and Gio have been recently adopted by Evelyn and Memo. The four of them try to create a home where the past, the bad and good stories, and the dreams in common for the future blend all together.

welcome_home.exe

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.

Daybreak Express

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Don't Die: The Man Who Wants to Live Forever

In this documentary, wealthy entrepreneur Bryan Johnson puts his body and fortune on the line to defy aging and extend his life beyond all known limits.

Birders

Bird watchers on both sides of the U.S.-Mexico border share their enthusiasm for protecting and preserving some of the world's most beautiful species.

Tremor

The anguish a woman experienced on the night of September 7, 2017, caused by the 8.2 magnitude earthquake that struck southern Mexico and the danger of another impending disaster.

Bliss

The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.

The Funicular of Mount Faloria

Vertigine (Vertigo) is the original title of a fragment of around 4', signed by Michelangelo Antonioni, which is a part of the eight-minutes documentary La funivia del Faloria. The title was eventually modified in La funivia del Faloria because considered more effective to obtain the governmental prize (at the time the minimum length allowed was 8 minutes). Vertigine was shot in 1949 with the cinematographer Bellisario, who was director of photography in several documentaries in those years, but was edited only in 1950, after Antonioni had made his first feature film, Cronaca di un amore.

Boys Beware

This anti-homosexual social "scare" short film focuses on the dangers of young boys talking to strangers.

Solarmax

Solarmax is a 40-minute giant-screen documentary that tells the story of humankind's struggle to understand the sun. The film will take audiences on an incredible voyage from pre-history to the leading edge of today's contemporary solar science.