Refuge(e) (2019)

Olympia: Part One – Festival of the Nations

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Silverback

Feature-length documentary following award-winning wildlife cameraman Vianet Djenguet as he documents a gruelling but vital mission to ‘habituate’ a notoriously protective 450lb silverback, in a last-ditch effort to save the critically endangered eastern lowland gorillas from extinction.

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Beyond the Powder: The Legacy of the First Women's Cross-Country Air Race

The first Women’s Air Derby was flown in 1929 with brave women making history by breaking into a competition that was thought to be for men only. They encountered sabotage, death, and all the difficulties of flying at the dawn of aviation. Today the Powder Puff Derby continues as the Air Race Classic. The modern-day racers carry out the legacy of the original racers with their adventurous spirit.

America; I Too

Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.

Always in Season

When 17-year-old Lennon Lacy is found hanging from a swing set in rural North Carolina in 2014, his mother's search for justice and reconciliation begins while the trauma of more than a century of lynching African Americans bleeds into the present.

Salesman

This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.

Iwájú: A Day Ahead

Filmed across three continents, this documentary shares the story of the founders of the Pan-African comic book company, Kugali, who made their dream a reality creating an original animation series with Walt Disney Animation Studios.

Les poussières de Daech

Youssef, a young Quebecer of Moroccan origin, became radicalized and joined the ranks of Daesh in Syria. In the midst of the shelling, he and his wife had a baby. What will happen to the child?

Cavedigger

Ra Paulette digs cathedral-like, 'eighth wonder of the world' art caves into the sandstone cliffs of Northern New Mexico. Each creation takes years to complete, and each is a masterwork. But patrons who have commissioned caves have cut off nearly all of his projects due to artistic differences. Fed up, Ra has chosen to forego all commissions to create his own Magnum Opus, a massive 10-year project.

Karama Has No Walls

'Karama has no walls' is set amidst Yemen's 2011 uprising. The film illustrates the nature of the Yemeni revolution in stark contrast to the gross violations of human rights that took place on Friday, March 18th 2011. Juma'at El-Karama (Friday of Dignity) marks a turning point in the Yemeni revolution as the tragic events that took place on this day -when pro-government snipers shot dead 53 protestors - shook the nation and propelled hundreds of thousands more to flock to the square in solidarity with their fellow citizens. Through the lenses of two cameramen and the accounts of two fathers, the film retells the story of the people behind the statistics and news reports, encapsulating the tragic events of the day as they unfolded.

The Lady in Number 6: Music Saved My Life

The story of Alice Herz-Sommer, a German-speaking Jewish pianist from Prague who was, at her death, the world's oldest Holocaust survivor. She discusses the importance of music, laughter, and how to have an optimistic outlook on life.

Pauline Hanson: Please Explain!

Director Anna Broinowski explores how Pauline Hanson's speech in 1996 and the decades of debate that followed has influenced Australia today; the impact of her political career on modern multicultural Australia, and the people who have helped her transition from local fish shop owner to Member for Oxley. Featuring many of Hanson's critics, opponents, advisors and commentators, from former Prime Minister John Howard, to current members of the media, including Margo Kingston and Alan Jones; and leading Indigenous commentator, Professor Marcia Langton.

Untitled (Pink Dot)

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

Hotel Nueva Isla

In the early twentieth century, the Hotel Nueva Isla was an emblematic luxury hotel. After the Cuban Revolution, it was confiscated by the State and became a shelter for homeless people. Located in Old Havana, today it is an imposing ruin. Jorge de los Rios, a retired clerk, is one of the few residents who remain there, along with La Flaca, his lover, and Waldo, a young itinerant. As the rest leave for safer places, Jorge clings to his dilapidated home and its buried treasures, slowly digging his way through its debris. The film speaks poignantly to a lost generation who fought in the Cuban Revolution and dreamed of a better society.

Model Citizens

Somewhere in the world right now--much closer than you think--people are playing with trains. You might not see them at first, but they're there. In basements. In garages. In converted Army barracks. They're among the world's most compelling underground communities.

Martyrdom

Waving the flag that states every film is political, Vincent Carelli visibilizes in this documentary the cause of the Guarani-Kaiowá: a group of indigenous people that fear their lands, located in the Mato Grosso do Sul, will be confiscated by the State. A territorial conflict born more than one hundred years ago, during the Paraguay war. While fighting against the Brazilian Congress in order not to be evicted from their homes, the 50.000 indigenous people demand the demarcation of the space that belongs to them. With some rigorous investigative work, the Brazilian director tells with his own voice of the social and political injustices suffered by the Guarani people through material he filmed over the course of more than forty years. The archive images, both color and black and white, reveal the crudeness with which they coexist every day: among the violation of their civil rights and the guts with which they confront the usurpers.

Germany in Autumn

Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two month time period during 1977 when a businessman was kidnapped, and later murdered, by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the orginal leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.

Guerre sans images - Algérie, je sais que tu sais

The Director Mohammed Soudani comes back to Algeria after 30 years with the photographer Michael von Graffenried to visit the Algerians he had photographed between 1991 and 2000 without them knowing it.

When Liberty Burns

An in-depth analysis on the 40th Anniversary of the life and untimely death of Arthur Lee McDuffie at the hands of Miami Dade police officers.

The Pleasure in Pain

A short film that follows key figures of the London kink scene on an exploration into BDSM and the notorious fetish event Klub Verboten. The film touches upon themes of psychology, trauma, LGBTQ+ rights and black representation.

Sundowners - A Conversation with the Author

A conversation with an author.

A Daughter’s Memory

Indonesia, 1965: hundreds and even thousands of people are arrested without warrant. Some did come back, the others lost without trace. Svet, one of the survivors of the Indonesian dark history recounts the memory she had of her father, whom she believes to be responsible for the 1965 tragedy.

Luar Biasa

Joko Supriyanto is a high school student in Yayasan Pendidikan Anak Luar Biasa (Special Needs Education Foundation) Cepogo, Boyolali--a foundation that facilitates education for the children with special needs. Joko has visual impairment that disables him to see normally.

Minor

Vena, a Catholic, lives in the Muslim-majority region Aceh. Vena wears veil in her daily life and befriends many Muslim friends. Nevertheless, how can she be herself and adapt as a minority at the same time? Family plays an important role in her life.

The Devil Came on Horseback

While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.

Air Guitar Nation

If your bedroom has become too small a stage for your air guitar antics, take inspiration from the competitors featured here as they battle their way from the inaugural U.S. Air Guitar Championship to the world championship in Oulu, Finland. Along the way, filmmaker Alexandra Lipsitz documents the fierce rivalries that develop as would-be rock legends vie for top honors in technical accuracy, stage presence and "airness."

Jewel's Catch One

With four strikes against her (black, female, poor and a lesbian), our trailblazer, Jewel Thais-Williams, helped changed laws, save lives and influence communities across Los Angeles, California as she opened her legendary nightclub's door for 42 years.

Shelter at Home: Where Are They Now?

Beloved by audiences for over a decade, Here TV's original movie "Shelter" is celebrated with an in-depth discussion with stars Trevor Wright and Brad Rowe, along with director Jonah Markowitz.

K'i Tah Amongst the Birch

Filmmaker/activist Melaw Nakehk’o has spent the pandemic with her family at a remote land camp in the Northwest Territories, “getting wood, listening to the wind, staying warm and dry, and watching the sun move across the sky.” In documenting camp life—activities like making fish leather and scraping moose hide—she anchors the COVID experience in a specific time and place.

Thursday

Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.

Our War

Since 2013 more than 30,000 fighters from all over the world have joined the troops of the self-proclaimed Islamic State (Daesh) in Syria. Fighting against them as part of the YPO (Popular Protection Command) in Rojava—in the north of Syria and prevalently Kurdish—are some hundreds of Westerners. This is the story of three of them: a former American marine, an Italian anti capitalist activist, and a Swedish bodyguard.

Deliver Me

A film on the come back of exorcism in the contemporary world. Each year a growing number of people call their sense of unease “possession.” The Church answers to this spiritual emergency nominating an increasing number of exorcist priests and organizing training courses. Father Cataldo is one of the most sought-after exorcists in Sicily and elsewhere; he is famous for his tireless fighting spirit. Every Tuesday Gloria, Enrico, Anna, and Giulia, along with many others, attend Father Cataldo’s mass for deliverance, trying to find a cure for a sense of discomfort that has no answer nor a name. Whether believers or not, how far are we prepared to go to get recognition for our own disease? What are we prepared to do to be delivered from it, here and now?

Paparazzi

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.