Three Sisters (2012)

The Early Years: Erik Nietzsche Part 1

Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.

Mantovani, the King of Strings

Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.

Life of a Mutt

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Deputy Marshal

A lawman takes on gangsters attempting to steal property wanted for a railroad.

Ocean Odyssey

500 million years ago life left this blue womb and colonized the land, but we are still intricately linked to the ocean. Our climates, coastlines, ecosystems, and economies are tied to the perpetual movement of water between continents. The great ocean currents are the arteries and veins of Planet Earth! This is the story of one particularly fascinating flow – the East Australian Current, a massive oceanic river that stretches the length of Australia’s east coast.

Shadow in the Sky

Burt, a Marine suffering from Battle Fatigue, is deathly afraid of rain and confined to an asylum, but showing improvement. He wants to live with his sister's family, but they have young children.

Fuego

Plot unavailable

Jon Secada: Live On Sound Stage

Live On Soundstage performance was originally broadcast on the PBS Soundstage series. Songs include cuts from Jon Secada's recent tribute to Latin singer Beny More' and also Jon's classic pop hits, "Just Another Day," "Do You Believe In Us", as well as many others. With a career spanning more than two decades, three Grammy Awards, 20 million records sold, and leading roles on Broadway, Jon Secada's acclaimed romantic sound has resulted in numerous hits in English and Spanish, establishing him as one of the first bilingual artists to have international recognition in both markets.

Looky Looky Here Comes Cooky

A new songline for 21st century Australia - a fresh look at the Cook legend from a First Nations' perspective - the songline tells of connection to country, resistance and survival and features the cheeky, acerbic and heartfelt showman - Steven Oliver and a host of outstanding, political Indigenous singer/songwriters.

The Joys of Jezebel

Satan lets Jezebel return to earth to deliver the soul of a blonde virgin named Rachel by taking over her body. However, Jezebel gets more than she bargained for.

The Call of Blood

Two brothers seek revenge on the yakuza responsible for the death of their father.

25 Kille

Four brothers receive news of an inheritance and must contend with an unscrupulous landowner to receive their birthright.

Persistence of Vision

It was to be the greatest animated film of all time. Not just an eye-opener, but a game-changer. Richard Williams demanded nothing less, investing nearly three decades into his movie masterpiece. From as early as 1964 he ploughed most of the profits right back into his pet project, a feature inspired by the Arabian Nights and provisionally known as Mullah Nasruddin. He assembled a team of inspired young artists—and brought in the best Hollywood craftsmen to teach them—and devised what would be the most elaborate, kaleidoscopic, mind-boggling visual sequences ever committed to celluloid. Years passed. Potential financiers came and went. Work continued. But it was only after Roger Rabbit that Williams had a studio budget to corroborate the munificence of his imagination.