Hello Stranger (2024)

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Carmencita

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Lobo Mexicano

About the mexican wolf in northwest Chihuahua, the search for its conservation among local communities, landowners, and the Livestock Assurance Fund.

Catwoman: The Feline Femme Fatale

A documentary about the history of Catwoman from DC.

I Am a Truck

Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.

Flora

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

Screengrabbed Too: BBC Introducing Arts

Huw Stephens presents an exciting selection of short films from emerging artists and film-makers from across the UK. Topics are fresh, varied and thought-provoking, including a behind-the-scenes look at a zoo closing for the night, an honest account of farming the land, and a powerful love letter from a son to a mother who has cancer. Expect to be moved and challenged by these short dramas, observations and dance, made by a new generation of storytellers. Yew; Echdo; King of the Pit; Two B or Not Two B; Lucky House; Everything Is Fine; The Jacket; Cages; It's Always Been; Mary Lost Her Battle; Between the Dog and the Wolf; From His Perspective

Dance on Film: BBC Introducing Arts

Acclaimed dancer Carlos Acosta introduces a new generation of film makers who use b-boying, ballet and contemporary dance to tell their stories. Subjects range from dancing in a bingo hall, acid attacks, body image and wellbeing and the mystical world of baby eels. Each is a remarkable fusion of dance and film. Anatomy of a Crooked Spine; Blast; Elver; Full House; I Am Soldier; I Dance Best with You; Inside; Inside We Break; Manmade; Petals and Pain; Scapelands; We Are Ready Now; We Are Always Here; Do I Have Free Will?

Birders

Bird watchers on both sides of the U.S.-Mexico border share their enthusiasm for protecting and preserving some of the world's most beautiful species.

Better Than Dog

The story of a unique Georgian musician - Gia Iashvili, who makes music for the sake of creating and remains little-known in his own country.

Finding Bobbi

The poignant journey of a transgender actor unfolds, as twenty-three years after last performing on stage as a man, she makes her return in the iconic role of Aunt Eller in an LGBTQ+ production of the Rogers and Hammerstein classic Oklahoma! at the Oregon Shakespeare Festival.

Colours We Paint

The “Painting Skills for Africa” association has been traveling to Rwanda for 10 years now. They support local institutions through social projects. They are painting schools, kindergartens and hospitals. Always at eye level with the journeymen and vocational students.

Stories of Strength and Hope: Preventing Youth Suicide

An up-to-date look at Youth Suicide with an examination of the warning signs, statistics and causes, along with possible ways teachers and parents can use to help their child overcome this important social issue. Also includes a look at the media and its handling of the social issue through the Netflix series "13 Reasons Why" and the Tony Award-winning Broadway musical, "Dear Evan Hansen."

JENNY@7-11

In a convenience store, the door of the storage room is a two-way mirror, reflecting a romantic story of love at first sight.

Bronx, New York, November 2019

Plot unavailable

Cal State Long Beach, CA, January 2020

A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.

Senna: The Test

Senna: The Test (2017) explores a unique moment in Ayrton Senna's career when, on December 20, 1992, he tested a Penske IndyCar in Phoenix, Arizona. Amid frustrations with McLaren, Senna briefly considered switching to IndyCar, with this test marking his only serious exploration of American racing. The documentary, created by Marshall Pruett and Travis Long, features insights from figures like Emerson Fittipaldi and Rick Mears, capturing this rare event in Senna’s life and his motivations during a challenging period in his career.

Fire in Paradise

In this documentary, survivors recall the catastrophic 2018 Camp Fire, which razed the town of Paradise and became California’s deadliest wildfire.

It's a Wonderful Day

The cartoon based on the works of Alexander Pushkin was created on the basis of drawings from the exhibition "Pushkin through the eyes of children".

Trust Me

Animated short documentary following a young woman's diagnosis of bipolar: a journey of self-acceptance to challenge everyday stigma. In "Trust Me", a genre-bending short documentary, a young woman uses humour and compassion to share her moving and deeply personal story of coming to terms with her mental health condition. When she starts exhibiting atypical and extreme behaviour, her loved ones trick her into hospitalisation against her will. She is diagnosed with bipolar disorder which starts her challenging journey of self-acceptance, confronting internalised and societal stigma, and learning to trust herself and others again.

Sarajevo Film Festival

Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.

Ocean Oasis

Ocean Oasis is a fascinating journey into the bountiful seas and pristine deserts of two remarkably different, but inextricably linked worlds — Mexico's Sea of Cortés and the Baja California desert.

Bears

From polar bears in the arctic tundra to black bears in the Northern Rockies, you'll see some of the most spectacular footage ever shot of these enterprising omnivores. Catch salmon with a group of hungry grizzlies on the McNeil River in Alaska. Crawl inside a den with a mother black bear and her cubs. Learn about the challenges facing each of these species as their habitat diminishes.

Roundhay Garden Scene

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.