Imphal Bazaar (1934)

Fascinating India

"Fascinating India" spreads an impressive panorama of India’s historical and contemporary world. The film presents the most important cities, royal residences and temple precincts. It follows the trail of different religious denominations, which have influenced India up to the present day. Simon Busch and Alexander Sass travelled for months through the north of the Indian subcontinent to discover what is hidden under India’s exotic and enigmatic surface, and to show what is rarely revealed to foreigners. The film deals with daily life in India. In Varanasi, people burn their dead to ashes. At the Kumbh Mela, the biggest religious gathering of the world, 35 million pilgrims bathe in holy River Ganges. This is the first time India is presented in such an alluring and engaging fashion on screen.

Delhi Durbar

A film produced to celebrate the coronation of George V as King-Emperor at the Imperial Durbar of 1911.

From England to India by Air

A state welcome for a Handley Page aircraft arriving in Kolkata.

Calcutta Topical No. 2

The race is on - for the Viceroy's Cup.

Edward Prince of Wales' Tour of India: Indore, Bhopal, Gwalior and Delhi

The future Edward VIII enjoys a stately procession and visits the Taj Mahal before meeting senior Indian royalty.

Edward Prince of Wales' Tour of India: Bombay, Poona, Baroda, Jodhpur and Bikaner

The future Edward VIII visits his Empire, with Indian royalty, elephants, palaces and temples.

Edward Prince of Wales' Tour of India: Bikaner, Lucknow, Benares, Nepal and Great Tiger Shoot

The future Edward VIII enjoys receptions, playing polo and hunting tigers on his royal tour.

Edward Prince of Wales' Tour of India: Madras, Bangalore, Mysore and Hyderabad

This official travelogue of a royal tour follows the Prince on a series of regimental displays and a tiger hunt.

Khyber Pass; Kashmir; Agra

Romantic, atmospheric travelogue capturing some of northern India’s most iconic places – not least the Taj Mahal.

Dancers at Trivandrum Gopinath

Kathakali performance featuring the great Indian dancer Guru Gopinath.

Mysore Dasara

The Mysore Palace shines with 100,000 lights in a dazzling 400-year-old celebration.

Procession at Gangtok

Traditional games, dancing and music among the people of Sikkim - in vivid colour.

Chief Guide at Hyderabad Rally

Girl guides on parade at a rally in southern India attended by Olave Baden-Powell.

Mysore

Two sides of Mysore: down to earth with the field workers and an Indian spectacle for the Maharaja.

Lahore

Muharram procession through Lahore bazaar, crowded streets and buildings.

Ajmer

Film of local events in Ajmer province including the fair at Pushkar.

Montreal and India

The Taj Mahal and shots of Jalandhar nestle between footage from Canada and Africa.

Delhi Durbar

Aristocracy, army, elephants and more mark the start of the 1903 Durbar.

Indian Scene of Procession

Stately scenes in India, likely filmed during the 1903 Delhi Durbar.

Calcutta Pageant

Scenes from a lavish pageant held during the royal visit to India, celebrating King George V’s coronation.

Stories Are in Our Bones

In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.

The London Nobody Knows

Based on Geoffrey Fletcher’s book, this captivating documentary exposes the real London of the swinging sixties. Turning its back on familiar sights, the film explores the hidden details of a crumbling metropolis. With James Mason as our Guide, we are led on an tour of the weird and wonderful pockets of London from abandoned music-halls to egg breaking factories.

Arrowhead

Learn how to climb Great Gable in the Lake District, via the Arrowhead ridge climb.

Africa Blood and Guts

A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.

Nose and Tina

Nose and Tina are a couple in love. The film captures the domestic details of their life together and documents their hassles with work, money and the law. The unusual bit: He is employed as a brakeman, and she as a sex worker.

Wild Japan: Snow Monkeys

In the frigid valleys of Japan's Shiga Highlands, a troop of snow monkeys make their way and raise their families in a complex society of rank and privilege where each knows their place. Their leader is still new to the job and something of a solitary grouch. But one little monkey, innocently unaware of his own lowly social rank, reaches out to this lonely leader, forming a bond with him that manages over time to warm his less than sunny disposition. It is a rare and remarkable gesture that alters both their lives. Changing seasons bring new babies to care for, a profusion of insects and blossoms to eat, family disagreements to squabble over and tragedies to overcome. Mating season brings competition for females, as the days grow shorter and colder in a rush toward winter. But with their now confident leader to guide them and their families to shelter and care for them, this troop of snow monkeys is ready to face the world.

Congo: White King, Red Rubber, Black Death

This true, astonishing story describes how King Leopold II of Belgium turned Congo into its private colony between 1885 and 1908. Under his control, Congo became a gulag labor camp of shocking brutality. Leopold posed as the protector of Africans fleeing Arab slave-traders but, in reality, he carved out an empire based on terror to harvest rubber.

Statues Also Die

Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.

Monkey Kingdom

A newborn monkey and its mother struggle to survive within the competitive social hierarchy of the Temple Troop, a dynamic group of monkeys who live in ancient ruins found deep in the storied jungles of South Asia.

The Endurance

Documentary on the Shackleton Antartic expedition. A retelling of Sir Ernest Shackleton's ill-fated expedition to Antarctica in and the crew of his vessel 'The Endurance', which was trapped in the ice floes and frigid open ocean of the Antarctic in 1914. Shackleton decided, with many of his crew injured and weak from exposure and starvation, to take a team of his fittest men and attempt to find help. Setting out in appalling conditions with hopelessly inadequate equipment, they endured all weather and terrain and finally reached safety. Persuading a local team of his confidence that the abandoned team would still be alive, he set out again to find them. After almost 2 years trapped on the ice, all members of the crew were finally rescued.

The Forgotten Coast

Inspired by over a decade of documenting Iceland's glacial river systems and their intersection with the ocean from the seats of a small aircraft, Chris Burkard sets out for an immersive expedition across 41 of these rivers - by connecting a 400km series of exposed sandbars that provide a barrier between the harsh waters of the north Atlantic along Iceland's southern coast, armed only with a fat bike and inflatable raft and accompanied by two seasoned bike-pack/rafting veterans, Steve "Doom" Fassbinder and Cameron Lawson.

Dawn of the Damned

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.