Devir (2020)

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

About the Memoirs of a House

The life of a couple is observed through the home they have left behind.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Daybreak Express

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

The ABCs of Book Banning

In recent years, more than 2,500 books have been removed from school districts around the US, labeled as banned, restricted, or challenged, and made unavailable to millions of students. By no accident, the themes targeted are the usual scapegoats of the American Right—LGBTQ+ issues, Black History, and women’s empowerment—impeding the power of future generations to develop their own thoughts and opinions on critical social issues. By weaving together a lyrical montage of young readers and authors, THE ABCs OF BOOK BANNING reveals the voices of the impacted parties, and inspires hope for the future through the profound insights of inquisitive youthful minds.

The First Emperor of China

This historical drama tells the story of Qin Shihuang, who unified China's vast territory and declared himself emperor in 221 B.C. During his reign, he introduced sweeping reforms, built a vast network of roads and connected the Great Wall of China. From the grandiose inner sanctum of Emperor Qin's royal palace, to fierce battles with feudal kings, this film re-creates the glory and the terror of the Qin Dynasty, including footage of Qin's life-sized terra cotta army, constructed 2,200 years ago for his tomb.

Carmencita

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Edith+Eddie

Edith and Eddie, ages 96 and 95, are America's oldest interracial newlyweds. Their unusual and idyllic love story is threatened by a family feud that triggers a devastating abuse of the legal guardianship system.

You Don't Back Down

In Nigeria, a young Canadian doctor serves in a local mission hospital and learns much from the experience. Stationed abroad under the Canadian University Service Overseas Plan, Dr. Alex McMahon and his schoolteacher wife find every day a fresh challenge. An interesting study of intercultural help.

Joe's Violin

A 91-year-old Polish Holocaust survivor donates his violin of 70 years to a local instrument drive, changing the life of a 12-year-old schoolgirl from the nation’s poorest congressional district, and unexpectedly, his own.

Gruppe "Aparcoa"

Portrait of the Rostock-based singing group “Aparcoa” and their songs. Political comics illustrate the junta's coup and the role of the USA. The film shows the solidarity of progressive humanity with the Chile of the Unidad Popular and calls for solidarity.

Flight of the Butterflies

It takes two or three generations for the monarch butterfly to reach the Canadian breeding grounds, but it is one "supergeneration" that makes the 2,000 mile return trip back south into central Mexico. The documentary film covers Dr Fred Urquhart's interest in monarch butterflies, with perspectives of Urquhart as a child wondering where the butterflies went, his years of research and study into their life and migration, to his time decades-later as a senior scientist looking back at his investigations and discoveries about the insect's life pattern.

Water Birds

Water Birds is a 1952 short documentary film directed by Ben Sharpsteen. The film delves into the still waters of lagoons and marshes to the wild blue wilderness of the vast oceans, to experience the beauty and variety of their majestic birds, each perfectly designed for its habitat. It won the Oscar for Best Short Subject, Two-Reel.

A Small Paradise

A Small Paradise is a film documentary about the Greek island Kos and the people there. It is a cinematic and nostalgic journey. In the film documentary, you meet people of different backgrounds and sexes. They share their thoughts and opinions about the island and other topics. You get captivated by the small interviews, the music, and the personal stories.

Memory for a Worker

A journey through the day of a worker in the form of memories and sensations, through which we will reflect on the slow passage of a life dedicated to work.

Rodeo

Shot in four days during the 1968 National Rodeo Finals in Oklahoma City, this lyrical documentary takes you inside the arena atop a 2800 lb bull. Watch Freckles Brown, a legendary cowboy, conferring with a young Larry Mahan, the previous year's champion and see crowd favorite Myrtis Dightman trying to hold his own in a dramatic ride. "Rodeo" shows the classic struggle of man against beast, a matter of life and death. Dick Rosmini's hypnotizing folk-fusion soundtrack and an intricate sound mix add to the climatic result.

Beaver Valley

The film depicts a young male beaver who must defend his new family against hungry predators, mischievous river otters, and the ever-impending threat of winter.

Man Walking Around a Corner

The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.

The Mermaid

A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.

Naucalpan

The vertiginous progress of modernity has caused the spaces that humanity previously inhabited, now remain forgotten.

A Secret Place

In this documentary, we learn about five stories that converge at the same point, the bathroom. Each bathroom tells the story of its inhabitant.

Who Loves the Sun

In war-torn northern Syria, WHO LOVES THE SUN delves into the world of makeshift oil refineries and the stark realities of life within this post-apocalyptic landscape. Mahmood is a prominent figure in these operations, navigating harsh working conditions and complex local dynamics.

The Black Dog

Since Rosa was little, people used to say around town that her grandfather was a black dog. The legend, belonging to the Valley of Oaxaca, spoke of a man who had the ability to turn into a black dog and roam the streets at night. Through images of the town, interviews with the brothers and animated interventions, the documentary tells the story of the myth and its importance in the collective memory.

Like a Spiral

Like a Spiral is a dialogue between Beirut and five women, migrant domestic workers, under the Kafala system. Expressing their belonging to a society in collapse, the women's voices rise through the film's grainy images to denounce their stolen freedom with an inalienable thirst for existence. Their memories dance in the rhythm of oppression. Caught within life's spiral, they lift themselves up to not sink into oblivion.

The Argument

Sometimes viewed as a companion piece to Lucifer Rising, Cammell’s 1972 short was left incomplete by the director and rediscovered and finished by his editor and close collaborator Frank Mazzola in 1999. The result is a visually stunning piece of work, shot in Bryce Canyon by the great Vilmos Zsigmond in glorious color and Cinemascope, with Myriam Gibril as Aisha the Witch and Kendrew Lascelles as the Director shouting a philosophical dialogue amidst the echoing rock formations.