Drizzle in Johnson (2023)

LAND

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

Dizzy

Dealing with his pill addiction, Jinn suffers from vivid nightmares, featuring a monster that plagues his everyday life.

Shapes and Gestures

Begins as a whimsical piece with 'sheets' of lines running down the screen, progressing into more and more complex geometic patterns but without deviating from the basic precepts of 'dot and line' animation. Jazz piano on a lazy Sunday afternoon, and a spring color palette. -- Stephanie Sapienza. Preserved by the Academy Film Archive in 2001.

Clarity

"If I can't abandon you, then how can I save you?"

Flaming Creatures

Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.

Subsurface

Trapped and alone, a young man must confront the pain he's ignored when he finds himself face-to-face with consequence.

Cain Rose Up

Pigpen has a snore. Bailey has a lot of nerve. And Curt Garrish has a gun.

Routine

A man goes through his daily routine, long after it has begun to destroy him.

House

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.

The New Flesh

On an isolated farm, a woman finds an injured and frightened woman in her old chicken coop. Moved by an inexplicable instinct, she decides to help her, without imagining that this silent encounter will awaken buried secrets. When tension finally gives way to trust, something dark approaches, bringing a truth that no one could have foreseen.

Me + Her

Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.

Bramayugam

A folk singer in 17th-century Kerala discovers a mansion. Inside, he encounters an enigmatic cook and a powerful master, setting in motion a chain of events that changes his life.

Abysse

Plot unavailable

Stellar

This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.

Chimera

Lost in the woods, a panicked Griff desperately tries to find his way home, but as he moves deeper into the depths of the woods he faces more nauseating uncertainties. Bewildered and disoriented, he must leave the woods.

The Cranberry Hour

Experimental narrative with comedy and horror made via long-distance collaboration between two artists.

5am

A collection of solitary urban images intersect with each other.

The Long Walk

An animated short based on a scene from "The Long Walk" by Stephen King

Mare

A man transforms into a distorted version of himself.

Rectangle & Rectangles

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.

I Am Your Grandma

An autobiographical video diary log recorded by Jillian Mayer for her unborn grandchildren.

Fragments of Archives #76 - #77

Fragments retrieved from Archives 76 & 77 have recently been digitized. They appear to document a divine corpus with no known equivalent in mythological, historical, or religious records. The exact origin of these materials remains unclear. No official trace has been found in any consulted database to date. Independent researchers are currently investigating their content.

Mothlight

Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.

Eye Myth

After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from this jungle of color: the first, a shirtless man, appears twice, coming into focus, then disappearing behind the bursts and patterns of color, then reappearing; the second figure appears later, in the right foreground. This figure suggests someone older, someone of substance. The myth? Preserved by the Academy Film Archive in 2012.

Possibly in Michigan

A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.