No Ink (2022)

Salem's Flames

A chauvinistic young man pays a visit to a new nightclub named "Salem's Flames", unaware that he is about to meet his comeuppance at the hands of a coven of witches.

Enys Men

A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare.

THE WORLD IS CONSUMING ME AND I CAN'T RUN AWAY FROM THE FALL

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Inland Empire

An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.

Barbara

Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.

The Scary Movie

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.

Midríase

Is the eye the window of the soul? - Mydriasis is a movie that reflects about the early discoveries of queerness and its impact on the self perception of a person.

Friend of the World

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

House

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.

Leda + Swans

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

Gadis Cantik di Bangku Taman

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Foreign Surface

An experimental reinterpretation of 1950s science fiction B movies.

Linton Falls - A Study of the Force of Water

An experimental film documenting a river leading up to a waterfall, depicting both its natural beauty and its inherent danger.

Benasco

Kiart, Scoops, Yeepa, and the Queerbaiter take a trip to a different dimension (Huesca)

Those Who Wander

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

VAZIO

A painter struggles with an empty canvas as a void grows inside of her.

The Begotten Cycle

Themes of death, rebirth and mythology combine in this compilation of the subversive and surreal experimental films "Begotten", "Din of Celestial Birds" and "Polia & Blastema."

3STIGIA

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Skinamarink

Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished.

Iloveyou, Iloveyou, Iloveyou (...)

In a distant world ruled by a queer dictatorship, a non-binary couple's decision to marry challenges societal norms, blurring the lines of gender and love in a universe where inversions are the norm and limitations are mere illusions.

Fossil

An old man's vision of a drowning world is clouded. He decides to take radical actions inflicting damage to his surroundings. Instigating a self-destructive chain of events, coming from the dark abyss of his subconsciousness.

Other Land

You find yourself in a foreign landscape. Two other people are on the horizon. Something about the world around you is off. It isn't long before something is released from a caged pit. There is limited time left as something ugly consumes the land around you. Is this Earth?

Empty Memories of Broken Hearts

An atmospheric look into loneliness and heartbreak, all through a highly experimental lens.

Durée

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Dream of the Wild Horses

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

Algérie Couleurs

"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973

Coma

Amidst a period of unprecedented world events, an eighteen-year-old girl’s life is placed on hold. Isolated in her bedroom, she falls under the spell of the mysterious vlogger Patricia Coma. As time carries on, the lines between her dreams, fears, hopes, and reality begin to blur into one another.

¿Por qué la gallina cruzó el camino?

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Las Preguntas que Perdimos

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The Image Book

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

The Universe

In a last-ditch effort to save earth, a man sacrifices himself and is forced to relive a series of suppressed memories that become smeared by the detonation of a stellar bomb. This paranormal explosion of thoughts begin to blur the lines between reality and fiction; the only way out is forward.

ZAPPER!

In a surreal universe where bananas fire laser beams and soup cans are used as grenades, a wacky cast of gangsters are thrown into a deadly game to battle it out over a mystical longboard in this trippy take on the Tarantino crime genre.

Hale

Narrative revolves around an individual confined within the constraints of their existing reality, yearning to break free into a dream world—only to realize that the dream world had been their prison all along.

She Sings

When Aziza finally shares a recurring dream, it’s what she leaves unsaid that reveals her fractured sense of self. Aziza’s dream – in which she must sing a song – takes her on a journey through the post-industrial hills of the American Rust Belt, the eternal fields of Egypt, and the most repressed parts of her mind.

July Dust

“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.