El hombre cine mexicano: Pedro Infante, el mito (1994)

They Made Us the Night

Supernatural visions and indigenous folk myths intrude in an unpredictable and dreamlike Mexican film about a family living in the shadow of the apocalypse. A living, organic work.

Saved From The Waters

A biographical documentary about Moisés Avendaño, artist, athlete, sportsman, adventurer, and doctor from Veracruz, Mexico. Seen from his golden years, until his imminent encounter with Parkinson's disease, in the present.

Diary of an Unexpected Journey

A young woman receives a diary as an inheritance from her father, in which he tells her that she must take a trip to Chiapas, a requirement for access to all his possessions.

School for Buglars

The police plan to capture a killer by using a double that looks exactly as one of his victims.

The Crying of Malintzin

Nacho and Memo start working as night watchmen in a Tequila factory. It is a stormy night. As soon as they recognize themselves alone in the middle of the huge industry, they get ready to drink and then they discover an intruder inside the facilities. It is Don Catarino, an old beggar who lives off the mercy of the employees and is the one who warns them that a lost soul usually appears in that factory on stormy nights. He pleads with them to ignore her and not allow her to involve them in her troubles. As soon as he disappears, a woman asks them for help to shelter from the storm.

Yo Creo En El Ruido

Plot unavailable

Heroic

Luis, an 18-year-old Mexican boy with indigenous roots, enters the Heroico Military College with the hope of securing a better future. There, he encounters a rigid and institutionally violent system designed to make him a perfect soldier.

Viva Mi Desgracia

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.

A Breakfast Chronicle

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Bonanza

Two teenagers face the differences of their parents; this leads them to cope with their own afflictions and learn of tragedies that cloud their vision, to the point of beginning to live the grief of a new life, leaving aside their comfort, their ideologies and questioning themselves for what they really are.

No desearás la mujer de tu hijo

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

Teresa & Veronica

Teresa has a frayed relationship with her girlfriend Veronica. Teresa's attempts to stay close to her are thwarted, which will lead Teresa to make a decision that will completely change their lives.

Desafane

Situated on 1960’s student protests in Mexico City, uncomprehended and rebel, Lucía, must decide wether to stay home or leave her conservative family and old friends behind.

Rutina

A closeted gay teen has to break through a daily routine that keeps him tied into a life full of fear and homophobia, even though the struggle eventually will take him to confront society itself.

Cuidado con el amor

Salvador accompanied by two friends of his father whom he calls uncles, they arrive at a fair in the village, there he meets Ana. When he wins a bet he is paid with a mortgaged house, to his surprise upon entering the hom he realizes that Ana and her mother live in it, provoking a funny entanglement with an explosive final.

Phantom Pain

Daniel seeks catharsis by recalling with Sofía his past relationship.

Capture Moment

Plot unavailable

Langostas a Domicilio

Cheque and Lucas are two friends who, after winning the biggest lottery in the country, are ready to take the leap into their new life, the new rich millionaire life.

Gitana tenías que ser

Pastora de los Reyes is a beautiful Spanish that goes to Mexico with a contract to film a movie. The main actors will receive her at the airport, among them is Paul, a little-known mariachi that has been chosen to become a new idol. Automatically, both had bad relations and during filming many discussions happens. This arguments gives way to a deep love.

Dicen que soy mujeriego

Pedro has had many lovers but he only loves one of them, but this romance stop going on for his flirts with other women.

Father Pablo

Manolo has decided to end his life and needs assistance. He has convinced Esmeralda, the caretaker of his hacienda, under the promise of leaving her the resources she needs to go live with her daughter and granddaughter in Baltimore. She only has one condition. She will not do anything unless Father Pablo vows to hear her confession after the act. Pablo decides to stay in the hacienda indefinitely, to impede them from doing anything. But he hardly does anything himself - and his time with Esmeralda will make him confront with his sense of goodness, and to check his pride and dogma, and the love he never found for his father.

ART MADE ME DISAPPEAR

A young artist is caught in a physical and mental battle against a supernatural entity that forces him to free it from its dark prison, ¿or is it just his imagination?

No Me Digas Wey

Plot unavailable

El Último Día en la Tierra

Two old friends reunite by chance the same day a new quarantine is announced.

Hurto Libre

Plot unavailable

Roy del espacio

Roy Del Espacio (aka Roy From Space) was a Mexican animated movie directed by Hector Lopez Carmona, Rafael Angel Gil and Ulises P. Aguirre that was in production from 1979 to 1982, being released in theaters in Mexico City in 1983. However, the end result was apparently of really poor quality, so much that the movie was pulled from theaters only two days after its premiere. The movie was never broadcast on TV nor released on home video, and information about it or its creators is almost nonexistent. The only surviving visual information is a promotional poster containing both original art and a black and white still from the movie.

They also sing of pain

The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.

Cuando lloran los valientes

A farmer is in love during revolutionary times.

The Third Word

The English-language title of this Mexican musical was The Third Word. Singer Pedro Infante stars as a pampered young man who is sheltered by his doting aunts. Deciding that their darling boy needs an education, the ladies hire pretty schoolteacher Marga Lopez. Upon discovering that her pupil is 28 years old, Marga is momentarily nonplused, but then settles into her duties. Inevitably, romance blossoms between Pedro and Marga, much to the aunts' dismay.

El mil amores

Carmen has a daughter, Patricia, who attends a school for young ladies where they think Carmen is married to a sailor. Viviano is a friend of Carmen and when she needs it, he poses as the father of Patricia and she believes is her father. Actually, Viviano is engaged with Marilu

Ojos que no ven

Elena is in charge of the library in a private school. His monotonous life is affected when a new child arrives at school with whom he is obsessed and whom he treats like his son. One day he decides to take him away, generating a crisis in his real mother, Andrea, who will do everything possible to get him back.

La vida no vale nada

Pablo, a wandering laborer, has imprisoned himself in a hell of alcoholism. Cruz, a widow, reaches out to the troubled man, but even her compassion may not be enough to save him.

femenino, masculino

Plot unavailable

Afghan Star

This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.

Andy Warhol: A Documentary Film

Ric Burns unearths rarely seen footage and offers keen observations on the life and artistic influence of Andy Warhol. [Made for and aired on PBS's American Masters series.]

The Endless Summer II

Bruce Brown, king of surfing documentaries, returns after nearly thirty years to trace the steps of two young surfers to top surfing spots around the world. Along the way we see many of the people and locales Bruce visited during the filming of Endless Summer (1966).

The Address

The Gettysburg Address is the subject of a new documentary by Ken Burns. The documentary tells the story of students at the Greenwood School whose study of the Gettysburg Address brings new understanding to the speech.

James Ensor: Demons Teasing Me

This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.

Mad As Hell

MAD AS HELL follows Cenk Uygur's transformation from unknown talk show host on local Public Access TV to an internet sensation with his online news show "The Young Turks," which has amassed over one billion views on YouTube. Once Cenk ventures from the internet into national television and lands the 6 PM time slot on MSNBC, his uncensored brand of journalism is compromised and Cenk becomes the nexus in the battle between new and old media.