El hombre cine mexicano: Pedro Infante, el mito (1994)

Saved From The Waters

A biographical documentary about Moisés Avendaño, artist, athlete, sportsman, adventurer, and doctor from Veracruz, Mexico. Seen from his golden years, until his imminent encounter with Parkinson's disease, in the present.

They Made Us the Night

Supernatural visions and indigenous folk myths intrude in an unpredictable and dreamlike Mexican film about a family living in the shadow of the apocalypse. A living, organic work.

No desearás la mujer de tu hijo

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

Diary of an Unexpected Journey

A young woman receives a diary as an inheritance from her father, in which he tells her that she must take a trip to Chiapas, a requirement for access to all his possessions.

School for Buglars

The police plan to capture a killer by using a double that looks exactly as one of his victims.

A Breakfast Chronicle

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Viva Mi Desgracia

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.

Cuidado con el amor

Salvador accompanied by two friends of his father whom he calls uncles, they arrive at a fair in the village, there he meets Ana. When he wins a bet he is paid with a mortgaged house, to his surprise upon entering the hom he realizes that Ana and her mother live in it, provoking a funny entanglement with an explosive final.

Heroic

Luis, an 18-year-old Mexican boy with indigenous roots, enters the Heroico Military College with the hope of securing a better future. There, he encounters a rigid and institutionally violent system designed to make him a perfect soldier.

The Crying of Malintzin

Nacho and Memo start working as night watchmen in a Tequila factory. It is a stormy night. As soon as they recognize themselves alone in the middle of the huge industry, they get ready to drink and then they discover an intruder inside the facilities. It is Don Catarino, an old beggar who lives off the mercy of the employees and is the one who warns them that a lost soul usually appears in that factory on stormy nights. He pleads with them to ignore her and not allow her to involve them in her troubles. As soon as he disappears, a woman asks them for help to shelter from the storm.

Bonanza

Two teenagers face the differences of their parents; this leads them to cope with their own afflictions and learn of tragedies that cloud their vision, to the point of beginning to live the grief of a new life, leaving aside their comfort, their ideologies and questioning themselves for what they really are.

Rutina

A closeted gay teen has to break through a daily routine that keeps him tied into a life full of fear and homophobia, even though the struggle eventually will take him to confront society itself.

Atonement

Lucía, an adolescent who studies at a Catholic school for girls, is at the stage of her life where all her classmates are changing except her. At an inopportune moment her menstruation arrives, Lucia full of fear and questions is condemned by the people around her who judge her for the changes in her body.

ART MADE ME DISAPPEAR

A young artist is caught in a physical and mental battle against a supernatural entity that forces him to free it from its dark prison, ¿or is it just his imagination?

Cuando lloran los valientes

A farmer is in love during revolutionary times.

La vida no vale nada

Pablo, a wandering laborer, has imprisoned himself in a hell of alcoholism. Cruz, a widow, reaches out to the troubled man, but even her compassion may not be enough to save him.

TERATOMA

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The Third Word

The English-language title of this Mexican musical was The Third Word. Singer Pedro Infante stars as a pampered young man who is sheltered by his doting aunts. Deciding that their darling boy needs an education, the ladies hire pretty schoolteacher Marga Lopez. Upon discovering that her pupil is 28 years old, Marga is momentarily nonplused, but then settles into her duties. Inevitably, romance blossoms between Pedro and Marga, much to the aunts' dismay.

El Último Día en la Tierra

Two old friends reunite by chance the same day a new quarantine is announced.

Desafane

Situated on 1960’s student protests in Mexico City, uncomprehended and rebel, Lucía, must decide wether to stay home or leave her conservative family and old friends behind.

They also sing of pain

The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.

Langostas a Domicilio

Cheque and Lucas are two friends who, after winning the biggest lottery in the country, are ready to take the leap into their new life, the new rich millionaire life.

No Me Digas Wey

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El mil amores

Carmen has a daughter, Patricia, who attends a school for young ladies where they think Carmen is married to a sailor. Viviano is a friend of Carmen and when she needs it, he poses as the father of Patricia and she believes is her father. Actually, Viviano is engaged with Marilu

Phantom Pain

Daniel seeks catharsis by recalling with Sofía his past relationship.

Mirreyes contra Godínez 2: El retiro

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femenino, masculino

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Teresa & Veronica

Teresa has a frayed relationship with her girlfriend Veronica. Teresa's attempts to stay close to her are thwarted, which will lead Teresa to make a decision that will completely change their lives.

Capture Moment

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Ojos que no ven

Elena is in charge of the library in a private school. His monotonous life is affected when a new child arrives at school with whom he is obsessed and whom he treats like his son. One day he decides to take him away, generating a crisis in his real mother, Andrea, who will do everything possible to get him back.

Wish Us Luck

A one-month-journey of twin sisters from London back to their home, Bangkok, by train. They traveled via the famous trans-Siberian route through many countries such as Germany, Russia, Mongolia and China, with many stories to tell.

Obscure Pleasures: A Portrait of Walerian Borowczyk

During a hospital stay in 2001, the Polish painter, sculptor and filmmaker Walerian Borowczyk compiled a handwritten list of the objects and animals that were featured in his films. While he had used both encyclopedias and dictionaries to order chaos in his own films, this list saw Borowczyk putting his own life in order.

Domingos

A look into the life and mind of Brazilian playwright and filmmaker Domingos Oliveira through his daily activities and artistic deeds.

Among the Elves

A cinematic journey with singer Freddie Wadling, which in this bare but soulful portrait shows how he constantly breaking boundaries, there is always something new to discover. If the music as a way to survive.

Origins of a Meal

Bananas, eggs, and tuna: three basic foodstuffs with three wildly different points of origin. Moullet begins with these on his plate but constructs his film by working backwards and finding the sources for these items and how they reach our plates. As Moullet’s investigation deepens, however, the film moves beyond the confines of a simple exploration of food origins into more political and social realms, not only relating to food but also to the medium of film.