Fourteen Days (2017)

Ain't Misbehavin'

Ain't Misbehavin' is the televised version of the 1978 Tony Award-winning Broadway sensation celebrating the music, life and times of Thomas "Fats" Waller — featuring 29 songs written or inspired by him. The telecast won Emmy Awards for Nell Carter and André De Shields.

Breaking Brooklyn

A 12 year old boy with a passion for dance and his brother are rescued from the streets by an old showman who takes them to live with his estranged former dancing partner/brother.

Memphis

Memphis is set in the places where rock and roll was born in the 1950s: the seedy nightclubs, radio stations and recording studios of the musically-rich Tennessee city. With an original score, it tells the fictional story of DJ Huey Calhoun, a good ole' local boy with a passion for R&B music and Felicia Farrell, an up-and-coming black singer that he meets one fateful night on Beale Street. Despite the objections of their loved ones (Huey's close-minded mama and Felicia's cautious brother, a club owner), they embark on a dangerous affair. As their careers rise, the relationship is challenged by personal ambition and the pressures of an outside world unable to accept their love. Originally shown in select theatres, then broadcast as an episode of the PBS series "Great Performances" (season 39, episode 11).

Munna Michael

An expert dancer Munna who idolizes the king of pop, reluctantly tutors a gangster until their developing bond gets disrupted by their common romantic interest towards the same woman.

She Stays

Throughout a night out in downtown Tijuana, Laura waits for her destiny to arrive.

Newsies

A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.

The Will Rogers Follies: A Life In Revue

The Will Rogers Follies is a musical with a book by Peter Stone, lyrics by Betty Comden and Adolph Green, and music by Cy Coleman. It focuses on the life and career of famed humorist and performer Will Rogers, using as a backdrop the Ziegfeld Follies, which he often headlined, and describes every episode in his life in the form of a big production number. The Rogers character also performs rope tricks in between scenes. The revue contains snippets of Rogers' famous homespun style of wisdom and common sense and tries to convey the personality of this quintessentially American figure whose most famous quote was "I never met a man I didn't like."

Coppelia

When everyone in town falls under the spell of charismatic cosmetic surgeon Doctor Coppelius, feisty Swan must act to save her sweetheart Franz, before his heart is used to spark life into Coppelia – the ‘perfect’ robot-woman the Doctor has created.

Center Stage

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.

12 Hours to Destruction

In the early summer of 1980, eleven-year-old Hanna and the rest of her childhood band aim to bring criminals to justice when a threat to destroy the last dance of school comes their way. Their ensuing adventure pits good vs. evil and disco vs. punk, and ends with love and unity conquering all.

Desert Dancer

Inspirational true story of Iranian dancer Afshin Ghaffarian, who risked his life for his dream to become a dancer despite a nationwide dancing ban.

Like Water for Chocolate

Tita, who lives on a ranch in Mexico, falls in love with a boy, Pedro, who lives nearby; but when they want to get married, Tita's family prevents it, because she must remain single to take care of her mother.

Top Hat

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

Bolshoi Ballet: A Hero of Our Time

Pechorin, a young officer, embarks on a journey across the majestic mountains of the Caucasus, on a path set by his passionate encounters. Disillusioned and careless, he inflicts pain upon himself and the women around him… The story, based on the larger-than-life hero Pechorin, is adapted from Mikhail Lermontov’s literary masterpiece in three separate stories recounting his heartbreaking betrayals. Is Pechorin a real hero? Or is he a man like any other? This brand new production by choreographer Yuri Possokhov is a tragic poetic journey that can only be seen at the Bolshoi. Filmed live on April 9th 2017.

The Bolshoi Ballet: A Contemporary Evening

For one evening, the Bolshoi takes on a new challenge with audacity in The Cage by Jerome Robbins, Harald Lander’s Études and Alexei Ratmansky’s Russian Seasons.

Woolf Works

The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf.

The Sleeping Beauty

The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.

The ROH Live: Jewels

Now celebrating its 50th year, George Balanchine’s sparkling ballet still shines with all the brilliance of the gemstones that inspired it.

Billy Elliot

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

Step Up 2: The Streets

When rebellious street dancer Andie lands at the elite Maryland School of the Arts, she finds herself fighting to fit in while also trying to hold onto her old life. When she joins forces with the schools hottest dancer, Chase, to form a crew of classmate outcasts to compete in Baltimore s underground dance battle The Streets.

Sleepover LA

An innocent tourist travels to LA and unexpectedly conjures her sister's last night alive. Bold score, stylized dance and an eccentric cast, shot at The Standard Hotel, weave a dark and luminous film that revamps traditional narrative.

The Nutcracker

The Nutcracker is Mikhail Baryshnikov's breathtaking and critcally acclaimed Emmy nominated production. The thisspectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both chowcased at the peak of the their careers, with members of the American Ballet Theatre.

Hallelujah

“Hallelujah” is a queer/circus concept about religion and the importance of choosing kindness regardless of our differences or beliefs. Religion is a tough subject for many in the LGBTQ community, and this piece is a reflection of the struggle and rejection we often feel. It tells the story of an individual troubled by the hate in the world and his partner who is fighting to lift him up, to remind him he is beautiful exactly how he is. My message is that religion should inspire more kindness and open arms, even towards those you may not understand.

Another Cinderella Story

A guy who danced with what could be the girl of his dreams at a costume ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her curfew. And with a once-in-a-lifetime opportunity in front of him, he sets out to find his masked beauty.

Jesus Christ Superstar

As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.

Kiss Me, Kate

A pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.

Sink or Swim

Two friends dealing with the peer pressure in a desolate swimming pool. How far can they go and is their friendship important enough?

Cats Don't Dance

An ambitious singing and dancing cat in 1939 Hollywood overcomes several obstacles to fulfill his dream of becoming a movie star.

Pop, Lock 'n Roll

Loaded with a love story and set in the club scene in Cape Town, it’s a feel good rags to riches film about Raps, a gifted young dancer from the Cape Flats who thinks all he needs is fame and money. However, it all gets complicated when he falls in love with the gorgeous young wife of the gangster-cum-producer who’s making his career happen.

Sweeney Todd: The Demon Barber of Fleet Street

In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.

Into the Woods

In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.

National Theatre Live: Follies

New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.

Second Chorus

Danny O'Neill and Hank Taylor are rival trumpeters with the Perennials, a college band, and both men are still attending college by failing their exams seven years in a row. In the midst of a performance, Danny spies Ellen Miller who ends up being made band manager. Both men compete for her affections while trying to get the other one fired.

Pixel

At the crossroads of arts, bodies and images merge to create a world of poetry and dreams.

Aria

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.