Zombie Dearest (2009)

Levent is Moving Away

On their last night at his house, Levent and his friends embark on a journey of smokes, treats and nostalgia.

Restoring the Light

A rural eye doctor helps underserved villagers in China regain their sight and their lives.

Bumble Boogie

A bumblebee (to a boogie-woogie version of Flight of the Bumblebee) is being attacked by flowers made of piano keys, flowers made of trumpets, snakes made of piano keys, the piano hammers hitting the "strings" of the sheet music, and so forth.

Bar Wrestling 25: We're All Mad Here

Willie Mack over Ray Rosas via sitout piledriver. [12'46] Heather Monroe over Rebel Kel via Michinoku Driver. DoomFly (Eli Everfly and Delilah Doom) over Wakanda Vice (Watts and Scorpio Sky) when Everfly pined Sky via rollup. [13'07] Luchasaurus and Brian Cage over RockNES Monsters (Yuma and Kevin Martenson). [12'27] Peter Avalon over Joey Ryan in a thumb wrestling match (Referee: Douglas James). [1'08] LAX (Santana and Ortiz) over Violence Unlimited (Brody King and Tyler Bateman).

The Routine

A robot wants to be a human. And well a human wants to be a robot. Symon with a Y has many crazy hobbies but let's not spoil too much

Eldorado

Drawing inspiration from his personal encounter with the Italian refugee child Giovanna during World War II, Markus Imhoof tells how refugees and migrants are treated today: on the Mediterranean Sea, in Lebanon, in Italy, in Germany and in Switzerland.

The Bag

The story follows a man who gets into a series of troubles because of a bag he owns, during his stay in a fancy hotel in Dubai.

Isolation

"I feel that some of the silent pieces might be seen as visual music. Perhaps a bit pretentious to say that, but such pieces as ISOLATION are something of the sort. This is a film that every time I see it I want to re-edit it, just for fun. Its like a jazz improv, and could be different during the next set – the rhythms, the pauses, perhaps with longer passages and variations in visual tonality, theme and variation, recapitulations – all sorts of musical terms might be applied. There is no real narrative development here. The film suggests that a boy in a rowboat sees glimpses of the world around him. The boy whose image you see is our son, Darmon, and long ago I was a similar boy as well." –Abbott Meader

El Caballo

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