Contrecoeur (1983)

Tinamer

Tinamer is 27 years old when her mother dies. The funeral of this last one makes her relive certain events of her childhood which marked her forever.

Siempre la duda

Trama non disponibile

Las Vegas Bloodbath

After discovering his wife has betrayed him, Sam Butler finds himself on the bloodiest killing spree Las Vegas has ever seen!

Pink Hill

Four friends spend a final summer together tangled in a web of sexual obsession, alienation and magic.

Jane Doe: Alibi di ferro

DNA evidence and camera footage places a corrupt CEO as the prime suspect in the murder of a company whistle-blower, but Jane Doe believes the real killer may be a twin sibling.

Ours, simplement sauvage

Trama non disponibile

The Big Red One : The Reconstruction

A re-working, re-editing, and restructuring of Sam Fuller's The Big Red One bringing it closer as originally envisioned by the late filmmaker. It includes forty-seven additional minutes which was not utilized in the film's original release. Supervised by Richard Schickel, Peter Bogdanovich, and editor Bryan McKenzie.

A Boy Named Cocoy

A mountain boy seeks a better life in Manila and finds love.

The Craft of Dirty Harry

A look at the cinematographers, editors, musicians, production designers and other talent of the Dirty Harry series.

Easy Money

Credit Card Stealing gone horribly wrong

Evenings on a farm near Dikanka

A fantasy film on the theme of the early works of Nikolai Gogol, tightly interwoven with his personality and biography.

Blood Spilled at Takadanobaba

The tale of Nakayama Yasubei’s duel is famous, even if he in reality probably did not cut down 18 opponents. The story has been related in film, rakugo, kodan and on stage many times, in part because Nakayama later joined the famous 47 Ronin (Chushingura) as Horibe Yasubei. But Makino and Inagaki’s version gives no hint of this more serious future, playing up the thrills and the comedy with Bando’s bravura performance. The multiple pans of Yasubei running to the duel are an exemplar of the experimental flourishes of 1930s Japanese cinema and the final duel, performed virtually like a dance number, is a marker of Makino’s love of rhythm and one of the best sword fights in Japanese film history. The film was originally released under the title Chikemuri Takadanoba (Bloody Takadanobaba) with a length of 57 minutes, but suffered some cuts and a title change when it was re-released in 1952.