소통과 거짓말 (2017)

My Fair Son

When young art student Ray moves in with his estranged businessman father after years of separation, the two tentatively begin to reconcile their many differences -- including Ray's revelation that he's gay, which his father struggles to accept.

The Golden Fern

Wandering through the forest, a woodcutter finds a golden fern whose seed turns into a beautiful woman - they fall in love. After getting drunk in a village feast, he gets to sign up to the army. The fairy gives him a shirt to wear and asks him to swear he will never abandon it. At the war front, he falls in love with the the colonel's daughter and will have to perform various feats to get her attention.

Are These Our Children?

A tale of juvenile delinquency, about a high-school student neglecting his studies, partying hard, falling in with the wrong crowd and finally finding himself on trial for murder committed during a robbery.

The Lama Avenger

When two acrobats are fired for fighting with punks in the audience, they go to live with an aunt who's being pressured to sell her house for a real estate development. The developer's nasty son, Lee Fu, decides to muscle the sale, and soon he's at war with the acrobats, plus their unlikely ally, an American named John who used to be Lee Fu's friend. The acrobats open a kung fu school, the scene of several battles with Lee Fu's thugs. A fight to the death, jail time, auntie's surprise decision, a budding acting career, a possessive girlfriend, a debilitating injury, a friendship that needs recalibrating, and Lee Fu's avenger are all in the mix before the end.

Harder Than the Rock: The Cimarons Story

Reggae exploded in the 1970s and Cimarons, the UK's first reggae band, formed in 1967, were at its heart. Thousands of miles from Jamaica, they brought excitement, experimentation and sheer anticipation to a new generation of Black British youth, putting them in touch with their roots. Harder Than The Rock celebrates Cimaron's storied history and explores the band's overlooked impact and influence as they persevere against all odds and dream of playing to live audiences again, one last time...

Rebekah Vardy: Jehovah's Witnesses and Me

Rebekah Vardy goes on a personal journey through her difficult history with the Jehovah's Witnesses, meeting former members and uncovering secret documents.

9/11: Stories in Fragments

How do you grasp an event as enormous as September 11? At the Smithsonian's National Museum of American History, you start small: A briefcase, a Blackberry, a victim's sweatshirt, and a hero's nametag. Simple objects that tell personal stories, recounted in the donors' own words. Stories from New York, the Pentagon and Shanksville, PA remind us that the legacy of 9/11 is not fear -- it's friendship, courage, and ordinary people pushed by extraordinary circumstances.

Leanne Morgan: So Yummy

Leanne Morgan exudes southern charm. She is a naturally funny storyteller who gives an honest look at suburban life and the challenges of keeping her husband happy while juggling kids, dogs and cheerleading camp at the same time she’s racing to get her hair highlighted, have a colonoscopy and join weight watchers for the 7th time!  Leanne will take you on a hilarious journey through motherhood and beyond as she finds comedy amidst the chaos.

Depeche Mode: Strange Too

Strange Too - Another Violation by Anton Corbijn is the third music video compilation by Depeche Mode, featuring more videos directed by Anton Corbijn, released in 1990. Unlike the previous video, Strange, all the videos are fully in color. There are six videos, all songs from the album Violator, released in the same year. There is one for each of the four singles, plus two bonus videos, for "Halo" and "Clean", exclusive to "Strange Too". As with its predecessor, Corbijn shot all six videos in Super-8. The tallest woman in the "Halo" video is a young Jenna Elfman. The Drive-In featured in the introduction to the compilation is the "Motor Vu Drive-In", located in Erda, Utah, west of Salt Lake City, near the town of Tooele, this part of the video being shot the day after the band's concert in Salt Lake City in July, 1990.

Floor X

An accidental meeting in an elevator at a department store leads two older women to their limits and forces them to improvise by the time the elevator gets stuck.

Unbekanntes Uruguay: Fußball, Tango und Gelassenheit

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Bad Days

Emilia and her mother, Lucia, are forced into isolation after her stepfather, The Turk, steals a highly coveted cargo of emeralds. The unexpected arrival of two hired assassins to the cabin where mother and daughter are hiding unleashes an imminent danger.

The Divide

Set in drought-plagued Northern California in 1976, The Divide chronicles the story of Sam Kincaid (King), an aging rancher with a failing memory, his estranged and independent-minded daughter, Sarah, and Luke, a young ranch hand who finds himself in the midst of a family in crisis. Internal struggles, the realities of an unforgiving landscape, and the need to reconcile a long-ago tragedy collide to create the backdrop for this classic American Western.

Fortune Flies

What are the chances of winning the lottery jackpot and then losing it instantaneously? Our unlucky hero Phaidon is about to find out, in a heart-wrenching turn of events, as fortune flies away.

The Misanthrope

Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.