Since the ban on use of animals in circus shows, the Great Sumatra Circus faces a major financial crisis. Baron, who owns the circus, accepts unseemly proposals from the mayor to hold cattle auctions, rallies and other alternative events at the circus. Unhappy with the news, circus artists come together to plan a new show and re-attract the audience, led by Didi, Dedé and Karina.
It’s just another weird and ordinary day for Nesrin and her mother. As the evening comes, they face the same issues they face everyday again but the next day their ordinary flow of lies is about to be broken.
After a lot of struggles, Prakash marries his dream girl Uthara. But their marriage doesn't last even for a day, resulting in a major clash between their families.
A police detective Shoukokuji Ryuuya from the first section of Metropolitan Police Department is tasked to investigate the murder case of a woman which takes place at a grand party held by a big-time actress but faces the hurdle of finding the true culprit among the large pool of suspects.
"The Yellow Ticket" (aka "The Devil's Pawn") was directed by Vicor Janson and Eugen Illes as a German project shot partially in Warsaw. A story of a Jewish girl forced to hide her identity in order to attend medical school in St. Petersburg, the movie is a melodrama of multiple oppression. Lea, as played by Negri, is at a disadvantage as a woman, an orphan and a Jew -- and yet has immense persistence and an insatiable ambition of becoming a doctor. The film includes more than one plot twist (the final one further complicating the issue of Lea's identity), but it's first and foremost a testimony to a spirit impossible to suppress.
Dopo l'improvvisa perdita del padre, Simone, una bambina di otto anni, è convinta che l'anima del padre parli attraverso le foglie del magnifico albero vicino alla loro casa. Pian piano tutta la famiglia instaurerà con l'albero un legame ossessivo.
DNA evidence and camera footage places a corrupt CEO as the prime suspect in the murder of a company whistle-blower, but Jane Doe believes the real killer may be a twin sibling.
In 1981, Welles gave a 90-minute question-and-answer session at the University of Southern California after a screening of The Trial. He had his cinematographer Gary Graver film the session with a view to editing highlights of the footage into the projected film. Graver observed, "A lot of people were there in the audience that day who are successful filmmakers now", as well as several noted film critics such as Joseph McBride and Todd McCarthy. However, Welles never got round to editing the raw footage. Its only use in Welles' lifetime was by BBC journalist Leslie Megahy for his 1982 Arena documentary on Welles. The documentary features a young man asking Welles whether he would agree he has been persecuted by The Establishment and the capitalist system, and Welles being somewhat bemused by the question.
