Zhou Yu, a ceramic artisan in China's rural Northwest, has a deep rapport with Chen Qing, a shy sensitive poet. Taking a long train ride every weekend just to make mad passionate love with him, her longing seems insatiable. Until one day, she meets the hedonistic vet Zhang Qiang and begins a torrid affair, which takes her to another train station, and another level of lust. Driven by the locomotive of love and desire, she hustles through a dark tunnel of no return.
When the mayor of a crime-ridden city and his opponent are both assassinated while seeking election, two FBI agents, John Archer and Mila Driver, reluctantly join forces to investigate the murder only to discover that City Hall holds more secrets than the identity of the killer.
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
When 12-year-old Elsi Björkman and her mother Paula return from a week's holiday abroad, Elsi immediately notices that someone has been in her room. She tells her mother about it, but she does not believe her. At the local supermarket Elsi meets Henry, who seems to spend his time returning shopping trolleys. Elsi does not know anything about the boy, who has an irritating habit of appearing from out of nowhere, only to disappear again, as if into thin air. Nevertheless, the children become friends.
Photographer Francesca builds Maia's confidence while having to control her own obsessive and sexual desires towards Maia. As they spend more time together, Maia becomes the object of her obsession and things slowly spiral out of control.
Through the creation of a family portrait, a mentally imbalanced young artist connects with her dead mother to exact revenge on her ghoulish father and abusive grandfather.
John Sawyer, once an eminent barrister, has slid into a life of cynicism and drunkenness since his wife left him. When his daughter's boyfriend is accused of murder, Sawyer decides to try to pull himself together and defend him in court.
Following a group of five very different student nurses during their first year of training at an NHS hospital in London called St. Augustine’s Hospital (filmed at Guy's Hospital), where they live in a dormitory. Susan (Belinda Lee) is reliable and sensible; Pat (Delphi Lawrence) is flighty and open; Maureen (Adrienne Corri) is Irish and loud; Ann (Henryetta Edwards) is a typical public school girl; and Liz (Barbara Archer) comes from a typical working class background. As they get to know each other, they bond in spite of their differences.
Volbeat Live in Wacken 2012 Another Day, Another Way Sad Man's Tongue A Moment Forever / Hallelujah Goat Who They Are Fallen 7 Shots (with Mille Petrozza from Kreator on vocals) Heaven nor Hell 16 Dollars Radio Girl Evelyn (with Barney from Napalm Death on vocals) A Warrior's Call Pool of Booze, Booze, Booza Still Counting
The film follows an emotionally harrowing journey endured by young gay photographer Alex, after he is diagnosed with peritoneal cancer. Abandoned by his brother and his on-again, off-again lover, Alex is forced to face his mortality and the loss of his sexual identity through sheer resilience. A devastating, but ultimately hopeful story of survival and resolve.
On the Guajira peninsula in northern Columbia the old traditions of the indigenous Wayuu still hold sway. As soon as they begin menstruating, young women have to go and spend a year in a simple hut where only a few women are allowed to visit them. Contact with men is taboo. The grandmother is chiefly responsible for preparing the girl for her role as a woman during this period of seclusion. Pili is 12 years old when, for her grandmother's sake, she decides to follow this custom. But does she really know what she is taking on?
In their farm house in a New York village, Ma Shelby prepares breakfast for her four children, Isaac, Tommy, Johnny and Susan, and then awakens them. The racket the boys make as they play and fight awakens their father, who spanks the eldest, Isaac. When a visitor chides Pa for not working, Ma sticks up for her husband, saying that he has a weak back and that he is waiting for a promised government job.
